Nagasaki Journey: The Photographs of Yosuke Yamahata (1996)

If it is a rarity in our society to experience death in its moment, our mediated selves consume it daily through TV and film. Ever since Viet Nam, our living rooms have been the sites of death and destruction. Nagasaki Journey: The Photographs of Yosuke Yamahata By David L. Jacobs, Afterimage, Summer, 1996 Where adults see […]

Jim Goldberg’s ‘Raised By Wolves’ as a Non-Fictional Multi-Media Narrative

While we as viewers are aware that Goldberg is as present in the scenes as the characters themselves, the teens seem to forget about him and allow him to record their most private moments. Raised By Wolves as a Non-Fictional Multi-Media Narrative By Sarah Wichlacz “It’s not like you can go home and watch TV.” […]

GLENN SLOGGETT: “A Life on the Piss” (2003)

A Life on the Piss, 2003, from Lost Man By Robert Cook, Associate Curator of Contemporary Art, Art Gallery of Western Australia I never figured out how to make art from the suburbs. While I lived there throughout art school (and still do, just in a different one) the translation of the places I resided […]

Diane Arbus’ Noah’s Ark of Humanity” (2004)

Diane Arbus’ Noah’s Ark of Humanity – A legendary photographer’s unfinished book By Randall Decoteau This article was written in response to the exhibit Diane Arbus: Family Albums at the Portland Museum of Art. In 1968, three years before her suicide, the great American photographer Diane Arbus (1923-1971) wrote that she was compiling her photographs […]

MAYA GODED: “Plaza de la Soledad” (Spanish)

Plaza de la Soledad By Josue Ramirez ¿Qué decir sobre el dolor, de la tristeza o la dureza plasmadas en estas fotografías de Maya Goded? Acaso decir “estética de la miseria” no es más que otro de los equívocos de nuestras maneras de nombrar el mundo, un error conceptual, una aberración designativa que evidencia nuestras […]

INTERVIEW: “Interview with Camilo Jose Vergara” (2007)

Interview with Camilo Jose Vergara By Jesse Serwer What is it about American cities that draws you to document them versus, say, ghettos in other places like your native Chile? CJV: Here is where I live. I can’t just take the bus and go to Mexico. After a while you become interested in what’s around […]

Mary Margaret McBride with Weegee (1945)

“I know every block, every sign-post, every cop, every beggar, every . . . everything.”   Interview with Weegee and Mary Margaret McBride for station WEAF on July 11, 1945 ANNOUNCER: It’s one o’clock, and here transcribed is Mary Margaret McBride. MARY MARGARET MCBRIDE: Who’s always been madly in love with New York City, but […]

garry winogrand

Coffee and Workprints – A Workshop With Garry Winogrand (1988)

“The director confided that Winogrand doesn’t make learning easy; be patient, he urged, it’s worth it. If we weren’t satisfied by the weekend, he’d give us a refund.”   Coffee and Workprints: A Workshop With Garry Winogrand – Two Weeks with a Master of Street Photography that Changed My Life By Mason Resnick My two-week […]

Joel Meyerowitz On Frank, Winogrand and the Sixties (1987)

 “I thought that to make photographs, you froze everybody before the fact, but Robert never froze them except in the camera. So that was a revelation.”   Excerpt from “Still Going”, from Bystander: A History of Street Photography (2001) by Colin Westerbeck and Joel Meyerowitz CW: The name we are giving to this final chapter, “Still […]