Trevor Paglen at Metro Pictures (2013)

The Last Pictures Image 9: Migrants Seen by Predator Drone, U.S.-Mexico Border. Courtesy of the artist and Metro Pictures. Trevor Paglen  at Metro Pictures February 7 – March 9 2013 By Vladimir Gintoff, ASX NYC, February 2013 Trevor Paglen has an MFA from the School of the Art Institute of Chicago and a PhD in geography from […]

America’s Race Riots of the Sixties

In the early 1960s, African Americans in cities nationwide were growing frustrated with the high level of poverty in their communities. Since the years immediately following World War II (1939–45), middle-class white Americans had been leaving the cities for nearby suburbs. Businesses that had once provided jobs and tax funding in the cities were leaving […]

“The Shaping of New Visions: Photography, Film, Photobook” at MoMA (2013)

  Berenice Abbott. Portrait of the Artist as a Young Woman. Negative c. 1930/Distortion c. 1950 The Shaping of New Visions: Photography, Film, Photobook at MoMA through April 21, 2013 By Lew Schwartz, ASX NYC, February 2013 There are a few ways to view “New Visions,” and, unfortunately the heady text that introduces the show on the […]

Ezra Stoller “Beyond Architecture” at Yossi Milo” (2013)

Manufacturer’s Trust Company, Fifth Avenue, Skidmore, Owings & Merrill, New York, NY, 1954   “Beyond Architecture” at Yossi Milo. By Raphael Shammaa, ASX NYC, February 2013 The Ezra Stoller exhibit “Beyond Architecture” at the Yossi Milo Gallery has the power to make one fall in love with architectural photography, and with The United States. These […]

Sophie Ristelhueber: “Facts of Matter” (2011)

  By Bruno Vandermeulen, Danny Veys, excerpt from Imaging History. Photography after the fact, 2011 The French artist Sophie Ristelhueber arrived in Kuwait seven months afater the war had ended, photographing aerial views and close-ups of the desert after the battle. The original title for this series, Fait, has a double meaning, translating both as “fact” – […]

Robert Frank Interviewed at Wellesley College (1977)

“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.”   An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]