Follow your intuition. Have courage. Do what you imagine. And always be completely present in the moment. Marina Abramović on what it really means to be an artist: “A great artist has to be ready to fail.” Meet the charismatic performance artist Marina Abramović in this interview on what it means to be an artist, […]
“In the beginning, I thought it would be a one-time thing. He sold me a huge bag. But every one or two months he was calling me again and for four years I kept collecting all of them. Now the archive is more than half a million negatives. So that’s how it all started.” […]
Taxi, from Ohio © Joachim Brohm, courtesy Brancolini Grimaldi “That was the mid- to late 70s and photography was not an art at that time – it was photography. It was advertising photography, and it was journalism.” By Fanny Landstrom, ASX London, March 2013 So, this is your first UK solo exhibition? Yes it is. […]
By Allie Haeusslein, Associate Director at Pier 24 Photography SF, March 2012 About a year ago, I was first introduced to the work of Viviane Sassen at the Museum of Modern Art’s annual New Photography exhibition. I pulled open the glass doors, turned to my right and was immediately drawn in. First, by her […]
The pigeonhole never suited Newton: His revolutionary ability to merge what we have come to define as photographic genres is in full swing in both White Women and Sleepless Nights where ‘Hitchcockian’ cinematic moods and the photojournalistic street aesthetic are merged into the fashion image seamlessly creating a multi layered discourse. HELMUT NEWTON – […]
The Coming Insurrection, 2010 Hesitating Beauty; Joshua Lutz toys with our heads and hearts. By Raphael Shammaa, ASX NYC, March 2013 A head shot of a young woman in a stylish cocktail dress, eyelids interrupted in mid flutter and lips in mid speech, a strand of pearls adorning her delicate, vulnerable neck composes this book’s […]
Luigi Ghirri (1943 – 1992) was an Italian photographer who, beginning in the 1970s, produced pioneering color photographs of landscape and architecture within the context of conceptual art. (All rights reserved. Images @ the Estate of Luigi Ghirri.)
For Ghirri, the world was a labyrinth and making pictures was a means of “tell[ing] the real identity of man, of things, of life, from the image of man, of things of life.” By Vladimir Gintoff, ASX NYC, March 2013 In 1935 Eastman Kodak introduced Kodachrome. A film stock praised for its idiosyncratic, hyper-saturated, […]
Having been long-time admirers of Takashi Murakami and, at the same time, given countless opportunities to extensively cover his prolific works of art, there was no doubt that we wouldn’t be there for the opening of Murakami’s “Arhat” exhibition and world premier of his film, “Jellyfish Eyes.” Taking place at Blum & Poe Los Angeles, […]
By John Szarkowski, originally published in Dot Zero, Spring 1967 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. This is not a value judgement (except from the point of view of the photographer) but rather […]
Mike Kelly at MoMA PS1.
“I thought these new models were more generic and less identifiable and could make it seem like after the logo and copy were cropped out that the re-photographed image could be more my own.” An Interview with Richard Prince by Brian Appel, 2007 BRIAN APPEL: Hope you had a chance to read my review […]