Reading cities by line has become a complicated chore in 2025. There are incongruent movements on the city streets, with all manner of debris and flotsam that collude to control our vision, distorting the potential of reading the city by line and encroaching on a sense of the city and our environment as orderly, maintained, […]
While reviewing my work over the past few days, I have begun to realize the essential nature of architecture in my oeuvre, as well as in contemporary photography in general terms. I think most of this is due to its observable primacy in our environments. Buildings, structures, and other habitable (and inhabitable) objects reign over […]
*not pictured My version of this film begins with the establishing shot in the same manner as Désirée’s. I pan over downtown Los Angeles. I try to skip the normative sunset, smog-ambitious, clichéd photographs of the city. I am not focusing on anything in particular. I am not overly concerned with landmarks, not interested […]
These are postcards from the lip of a commoditized and disheveled Eden masquerading as progressive life on planet zero. These rasterized observations are the Cliff Notes to the end of natural occurrence and abundance. Everything has a place so long as it has a price or a presence deemed valuable. If it cannot be brokered […]
The fever dream that never ended. The late Christine Furuya-Gössler is one of the more complex icons in photographic history. Her face is recognizable at a distance, and numerous exhibitions and books have been made about her and her family, mostly by her husband Seiichi Furuya, a Japanese photographer living in Austria. What makes her […]
There is something undeniably attractive in small ideas executed with precision and clarity. In receiving Cintia Tortosa Santisteban’s new book Screenshots from a series of videos about a rice field and its surroundings (Chose Commune, 2025), I am reminded that it is often the Occam’s razor of production and concept that produces some of the […]
I know very little about Witold Gombrowicz, let alone Witold Gombrowicz’s book, Memoirs of a Time of Immaturity. Still, upon reviewing his biography, one can’t help but find him a fascinating character. One part Jean Genet, one part Jean-Paul Sartre, Gombrowicz’s work seems to embody the twentieth century’s anxieties, both in terms of the Holocaust and […]
Arguably, the notion of the fragmentary is what drives our collective interrogation of photography as a medium. Photography is an unmitigated discussion regarding what is seen, how it is represented, how it is interpreted, and how the values of the meaning of images circulate, morph, and resist concrete definitions. In this, photography could be considered […]
The Bonin Islanders, 2021, Shinichiro Nagasawa, Akaaka Art Publishers The Bonin Islands, or Ogasawara Islands, are a very particular, scarcely populated set of thirty islands southeast of mainland Japan. The population consists of around 2,500 inhabitants, comprising an exceptionally interesting demographic. Historically referred to as Bunin Jima, or uninhabited, the islands were visited by […]
Anna Galí’s book makes me sick. It makes me sick with pain as the father of a young boy whose interior world I think I understand, but, in reality, can probably only guess at, and this will only get more pronounced as he breaks from adolescence into young adulthood. I feel enormous pain when I […]
Daido Moriyama I feel bad saying this, and you will have to read on to find more positive suggestions about this book, but I think Moriyama has become quite a pastiche of his earlier glory. I understand how he arrives at that conclusion, and frankly, most people will likely be inclined to argue with […]
There is a photograph by Frederick H. Evans from 1896, entitled “In the Attics,” in which the artist captures the improbably clean space of Kelmscott Manor, the home of Arts and Crafts movement pioneer William Morris. The photograph presents the attic as a type of raw liminal space, where the viewer can identify […]