“The main issue, which arises quickly, is that too many of the works appear to rest too comfortably on the visual laurels of their specific influences rather than becoming definably hers. For example…”
“It is an aesthetic examination of the material of everyday life that barely impinges on representational issues and I love that about it.”
“For me, almost every home is the image of a person”
“Political will is always and will always be separate from a photographic work tendered to the categorization of falsely recognized truth de facto of real-time experience”
“Certainly, Tillmans is enormously curious, yet his works offer surprisingly little insight. All is surface and rarely is it scratched”
“No, Anthony Hernandez’ sober look at his hometown reminds us that Los Angeles is not the most photographed city in the world, but rather, one of the most culturally, economically and racially divided places in America.” It often said that Los Angeles is the most photographed city on earth. It’s not true. It is also […]
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Thomas Roma @ Steven Kasher Gallery: A 1970’s Cruising Spot in Brooklyn, Public Sex Handled with Care
Roma’s images disappoint any prudish or salacious imagination of the cruising spot; there’s no sense of anything sordid, much less anything lewd happening.
Daisuke Yokota’s Subversive Appreciation of Time.
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
The theme is a twine of two strands: the uncanny connection of human bodies and questionable distinction of humanity from nature. By Owen Campbell, ASX, March 2015 The fifth floor gallery space of Capricious 88, on Manhattan’s Lower East Side, is large and airy, with south-facing windows facilitating bright sunlight even on overcast days. […]