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Roma’s images disappoint any prudish or salacious imagination of the cruising spot; there’s no sense of anything sordid, much less anything lewd happening.
Daisuke Yokota’s Subversive Appreciation of Time.
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
The theme is a twine of two strands: the uncanny connection of human bodies and questionable distinction of humanity from nature. By Owen Campbell, ASX, March 2015 The fifth floor gallery space of Capricious 88, on Manhattan’s Lower East Side, is large and airy, with south-facing windows facilitating bright sunlight even on overcast days. […]
Joel Meyerowitz became famous as central protagonist of New Color Photography in America during the 1960s and 1970s, next to William Eggleston and Stephen Shore. His extensive retrospective at the KUNST HAUS WIEN. Museum Hundertwasser in Vienna, Austria presents the photographer and the major, multi-faceted oeuvre he created over the course of 50 years.
@ The Estate of Dash Snow and Courtesy DAP Art shouldn’t be a product of the art world, but a product of the world world. By Owen Campbell I told my friend I was reading Glenn O’Brien’s intro essay to Dash Snow’s I Love You, Stupid. He said he always thought Dash Snow was […]
“A lot of the language surrounding Songbook is about community and American culture…and that stuff’s in there, but actually what I wanted to do with it is talk to something more primal, more internal, and more about the human condition than the American condition. It’s the great problem of consciousness.” —Alec Soth Alec Soth […]
Near Kaaterskill Falls, 2012 © Alec Soth, Courtesy: Sean Kelly, New York “One of the biggest statements in Songbook is Soth’s decision to work solely in black and white. The pictures evoke old press photography: large format, black and white, with a strong flash.” By Shahrzad Kamel, February 2015 Following the critical acclaim for Alec Soth’s […]
Perhaps we’re just to take it on good faith or past merit that the artworks in Raiders are somehow quality by association. By Michelle France, ASX, January 2015 Harmony Korine Raiders Gagosian Gallery, Beverly Hills January 10—February 14, 2015 Walking into the new Harmony Korine show at Gagosian, my reaction is an unexpected one: […]
Is it high art? Well, put something in a museum, as they say. Some viewers are sure to scoff at what might be misconstrued as pin-up girl pics; indeed, in unflattering light, they are nothing but the private fetishistic trove of an ageing man. The Cult of the Polaroid, or the Work of Art […]
39, WEST WALL, SMICOA, 333 MCCORMICK, COSTA MESA © LEWIS BALTZ, IP 39, FROM THE SERIES “NEW INDUSTRIAL PARKS, NEAR IRVINE, CALIFORNIA”, 1974; STEIDL Interview (excerpt) with Lewis Baltz Conducted by Matt Witkovsky At Baltz’s home in Paris, France. 2009 November 15-17 MR. BALTZ: You aspire to making something – at least at the time, […]