We spend merciless hours absorbing film, video, and internet collateral. Amann’s greatest trick with this book is to play on the nature of this game. By Brad Feuerhelm, ASX, December 2014 Werner Amann’s “Surf Fiction” has landed in my lap at a time when I have been searching for a body of work that […]
@ Giuseppe Micciché Co-ordination and Re-assignment in the Dissonant Steel Fish Tank By Brad Feuerhelm, ASX, December 2014 Cento passi is a affectionate, yet somnambulant and lightly traumatic study of photographer Giuseppe Micciché’s father’s decline into Alzheimer’s disease between 2011/2012. The book is an effective mediation on the oscillating and often times confusing […]
By Brad Feuerhelm for ASX, March 2014 Aaron McEroy’s new book “I lied” is beautifully designed by Jurgen Maelfeyt for Art Paper Editions. It is a inspired continuation of McElroy’s supreme visions of poetic pantone flesh and subdued eroticism. Greatly enabled by a shift in focus towards new frontiers in metaphor due to the inclusion […]
“I like to compare my process to that one of a visionary anatomist.” By Brad Feuerhelm, ASX, January 2014 Lorenzo Vitturi’s “Dalston Anatomy” has seen a nearly unparalleled foray into an examination of East London’s pluralistic social patterning through the remnants of its populace’s debris. Focused mainly on the ephemeral passing’s of the […]
“What makes these pictures so unsettling?” A book with photographs taken by a serial killer connected to texts written by John Berger, which also happens to be the alias the killer was using when committing his crimes? I am certainly intrigued… Fanny Landstrom interviews photography collector Brad Feuerhelm for ASX on M.F.G Paltrinieri’s […]
“If you read the Bible you see very quickly that God reveals himself, or at least his most prominent mode of address is through catastrophe, through violence.” Brad Feuerhelm interviews Broomberg & Chanarin for ASX, April 2013 Brad Feuerhelm: I wanted to start off with a question about the forthcoming book project with Mack. […]
“My work is more based on sequencing than in experiencing the aesthetics of the images so the book seems to be my perfect solution, plus, it is and object and the possibility of translating a concept or idea into something you can touch, smell, tear apart or archive makes it really interesting and complete.” Brad […]