Ain’t No Fuckfest: Kanye West’s “Famous” Aftermath Pornography
“I do not care if you like Kanye or his music, but if you are not realizing the genius surrounding his product empire, you may be guilty of overlooking what is actually on offer.”
“I do not care if you like Kanye or his music, but if you are not realizing the genius surrounding his product empire, you may be guilty of overlooking what is actually on offer.”
To combine cinematography with photography, Wall took his camera out of the studio along with lights and actors with the intention ofmaking pictures with the look of films from the 1970s that would lend a sharp, documentary style to his pieces. By Graham W. Bell In 1982, Wall took his photography to the street. Combining the aesthetic […]
“I am honestly not so sure how we respond to the nature of photography as a “document” anymore…”
”He watched with curious enthusiasm as the bread rolled in the sand picking up small rocks and granules of white pebble. The flies would simply have to work harder for their meal he thought to himself”. The arrival was what he had imagined. Being a young man in a state of constant anxiety, the heat […]
“In my late 30’s and cynical beyond belief, I actually find this little book creating a new space or affection for the idea of the 60’s and 70’s that I had shelved previously under “cyclical fucking baby boomer bullshit”.
“My work in the landscape is ultimately about human culture, not about nature. I always think of landscape as historical, or historicized; as not existing outside of history.”
“He plays with the disruption in the aesthetic surfaces of our daily life and this allows him (and us) to experience a reality which might be bypassed.”
‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’
Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.
“If you are a fan of Thai psychedelic music from the 60’s the design of this book alone will be enough for you.”
“Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾ portrait.”
“His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with.”