Evocations of the Everyday: The Street Pictures of Jeff Wall (2009)

To combine cinematography with photography, Wall took his camera out of the studio along with lights and actors with the intention ofmaking pictures with the look of films from the 1970s that would lend a sharp, documentary style to his pieces. By Graham W. Bell In 1982, Wall took his photography to the street. Combining the aesthetic […]

Gareth McConnell: Towing the Slow boat to Thasos

”He watched with curious enthusiasm as the bread rolled in the sand picking up small rocks and granules of white pebble. The flies would simply have to work harder for their meal he thought to himself”. The arrival was what he had imagined. Being a young man in a state of constant anxiety, the heat […]

Kenneth Graves: Dropping In, Tuning Out of the Home Front

“In my late 30’s and cynical beyond belief, I actually find this little book creating a new space or affection for the idea of the 60’s and 70’s that I had shelved previously under “cyclical fucking baby boomer bullshit”.

Nigel Shafran: Dark Rooms

‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’

‘Daido Tokyo’ at Fondation Cartier (2016)

Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.

Surface Politics: Mark Duffy’s Vote NO. 1

“Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾ portrait.”