Magnesium Whispers Shouted at Sentinel Skies in ‘The Night Climbers of Cambridge’

 @ The Archive of Modern Conflict Magnesium Whispers Shouted at Sentinel Skies. By Brad Feurhelm, ASX, December 2014 Having been familiar with Thomas Mailaender’s books and output for the past six or so years since “Handicraft”, I am frankly astounded at the exceptionally refined quality of this latest offering from his collaboration with The Archive […]

Interview with Glenn Brown (2012)

Decline and Fall, Oil & canvas on board, 58.4 x 54.6 cm. 1995 “I will spend ages in front of an original and study they way the brush marks are made. Its always one of the most exciting things when looking at the painting to try and animate the way the artist made them and […]

EAMONN DOYLE: “i” (2014)

Here the street is the background upon which single figures stand. (Or rather, lean). The streets become backdrop, grey slate with stripes and arrows, designs on the pavement. Doyle is more of a stalker than a flaneur.   Eamonn Doyle i, Review by Ellen Wallenstein for ASX, June 2014 Eamonn Doyle’s book i is a […]

Tom Wood – “What Do Artists Do All Day” (2014)

Profile of acclaimed photographer Tom Wood. Tom has taken photographs almost every day for the past 40 years, mainly around the streets, workplaces and nightspots of Merseyside. Hugely respected in the photography world, his work is a unique record of British working class life and in recent years he has gained increasing recognition. In summer […]

REVIEW: Anna Fox – “Resort 1”

REVIEW: ANNA FOX – RESORT 1 By Niccolo Fano for ASX, January 2014 “Where to stay, dine and play.” – Buntlin’s official website A young girl sits in front of a large mirror adorned with white sparkling fairies hung on its fluffy and pink contour. Through the reflection, a woman standing behind her carefully places […]

David Campany’s ‘Gasoline’ and the American Temple

It embodies Campany’s belief, “that photographs don’t have meanings: they have potential for meaning. It’s a question of how they’re used.” Or rather how we decide to see them. THE AMERICAN TEMPLE By Vladimir Gintoff for ASX, October 2013 History often reveals itself in unexpected places. Take Salt, Mark Kurlansky’s non-fiction opus on how a […]

BLITZ: World War II in London (2013)

“Tear-Gas Test at Richmond – A Family Out Shopping”, Keystone Press Agency. May 31, 1941. Silver gelatin print on glossy fibre paper, printed 1941. Courtesy Daniel Blau London/Munich. BLITZ: World War II in London, Daniel Blau Gallery, 31 May to 29 June 2013 By Elizabeth Breiner, for ASX, July 2013 Entering Daniel Blau Gallery’s succinctly titled Blitz: WWII in […]

Tony-Ray Jones: “A Day Off: An English Journal” (1974)

Blackpool, Lancashire,1968 ‘I want my pictures to bite like the images in Bunuel’s films which disturb you while making you think. I want them to have poignancy and sharpness but with humour on top.’ – Tony Ray-Jones By Ainslie Ellis, originally published as the introduction in A Day Off, and English Journal, 1974. In San Francisco […]

Francis Bacon and ‘Narrative’, the Natural Enemy of Vision

“I do not want to avoid telling a story, but I want very, very much to do the thing that Valery said – to give the sensation without the boredom of its conveyance. And the moment the story enters, the boredom comes upon you.” – Francis Bacon By Ernst Van Alphen, brief excerpts from Francis […]

Stephen Gill’s “Best Before End” at FOAM (2013)

  Talking to Ants 2 © Stephen Gill courtesy of the artist Fanny Landstrom reviews Stephen Gill’s exhibition, Best Before End, at the Foam Museum, Amsterdam (17th May – 14th July, 2013) for ASX, May 2013  “Stephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of […]

An Interview with Anna Fox (2013)

From 41 Hewitt Road By Niccolò Fano for ASX, May 2013 Anna Fox (born 1961) has been taking pictures for over thirty years, documenting her surroundings and reinforcing the strong tradition of British colour photography initiated and developed by practitioners such as Martin Parr, Paul Graham and Paul Reas. Her work is often described as […]