“One thing I always try to do, if possible, is never to speak mildly or softly. I don’t think any photographer should. You should speak loud and clear. And that’s the way I try to take my pictures.” Jem Cohen: In the mid-1980s, when I first came to New York and lived with my brother, […]
Disturbing and graphic images of killings and gangster arrests in depression-era New York by photographer Weegee are on show at the International Center of Photography in New York.
Interview with Jeff L. Rosenheim the curator of Leon Levinstein’s street photography exhibition at the Metropolitan Museum of Art in NYC. Polish subtitles.
“For me, everything is sacred, whether I’m photographing a human being or a statue or the good earth. It’s sacred, I absorb it. I want to absorb it.” Interview with Bruce Davidson, The Kojo Nnamdi Show (WAMU/Chicago), November, 2006 Q: You’re on the streets of Chicago, wandering into Pentecostal churches, how did that initial […]
William Klein is an American photographer. One is tempted to say that he is the American photographer By Anthony Lane, Excerpt from Nobody’s Perfect: Writings from the New Yorker William Klein is an American photographer. One is tempted to say that he is the American photographer; among his coevals, only Richard Avedon can match […]
Helen Levitt (August 31, 1913 – March 29, 2009) was an American photographer. She was particularly noted for “street photography” around New York City, and has been called “the most celebrated and least known photographer of her time.” ASX ARTIST CHANNEL: HELEN LEVITT (All images @ and courtesy of Helen Levitt Estate)
This is an abridged transcript of an online chat session, hosted by V&A Photography Curator Martin Barnes, which took place on Friday 21 October 2005. 2005-10-21 13:56:23 VAModerator Welcome to the V&A’s Diane Arbus Revelations chatroom. Photography Curator Martin Barnes is here to answer as many of your questions as he can. 2005-10-21 13:57:42 MartinBarnes […]
Fashion Show, Hotel Pierre, NYC, c. 1946 Model saw her subjects as misshapen, almost beastly. By Joel Meyerowitz and Colin Westerbeck, text excerpt from Bystander: A History of Street Photography, 2001 Another refugee who had to stoop to hustling, scrambling, and scraping by, and ultimately to street photography to support herself, was Lisette Model. […]
We all perform. It’s what we do for each other all the time, deliberately or unintentionally. By Richard Avedon, July 14, 1974, New York City, Originally Published in Camera Magazine, November, 1974 A photographic portrait is a picture of someone who knows he’s being photographed, and what he does with this knowledge is as much […]
Everything about him suggests an anarchic temperament, capable of playing any worldly system to the hilt and then throwing away its benefits. Brought to ASX by Errata Editions. Full essay included in Books on Books #5 William Klein: Life is Good…New York! By Max Kozloff, Excerpt from William Klein and the Radioactive Fifties, originally appeared […]
For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work. Richard Avedon’s “In the American West” By Max Kozloff “Sometimes I think all my pictures are just pictures of […]