“Safe art is useless to a publisher such as ILP, and just like the work of other ILP artists that goes along with our personal taste – Dennis Cooper and Michael Salerno – this stuff is loaded”
“I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues.”
“There is some nostalgia, certainly. Music often shares a correlating value to memory, which leads easily to nostalgia. It is no different with photography”
“I do not care if you like Kanye or his music, but if you are not realizing the genius surrounding his product empire, you may be guilty of overlooking what is actually on offer.”
“They form experiences that, like I have previously mentioned, are de-materialized and completely aural, if not spiritual”
“It was about being yourself and fuck what anybody else thought”
“We never cared about what other people thought. I still don’t. “
Satanic Panic Part II
Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.
Scenes from Gimme Shelter, the 1970 documentary film directed by Albert and David Maysles and Charlotte Zwerin chronicling the last weeks of The Rolling Stones‘ 1969 US tour which culminated in the disastrous Altamont Free Concert. (All rights reserved. Images @ Maysles Films.)
The story was never published. After reviewing the proposed layout, the editors declared Dylan to be “too scruffy for a family magazine” and killed the story.
Brad Elterman is a photographer from Beverly Hills who addressed the rock ‘n’ roll lifestyle in Hollywood. His work encompasses pop, punk and rock bands and has included the likes of Rod Stewart, David Bowie, Robert Plant, Sex Pistols, the Runaways, Bebe Buell, Kiss, Queen, Blondie, the Ramones, Bay City Rollers, Abba, Boney M, Kenny […]