Ron Jude’s Nausea: The Scissors and the Cockroach
“I think something is amiss or awry with every photograph. What I’ve consistently tried to do is exploit those disjointed qualities and bring them to the surface”
“I think something is amiss or awry with every photograph. What I’ve consistently tried to do is exploit those disjointed qualities and bring them to the surface”
“As we ponder the future fugue states of Europe, the diplomatic inadequacy of the New West and Russia, questions arise”
“The bucolic west is no longer a benign horizon in which to measure the imagination and fantasy of pioneer aspirations”
“The idea of art and politics co-existing is no more or less deeply problematic than the idea of them being separate. But nobody said it was going to be a picnic.”
“Takashi Homma is indebted to Robert Frank. This much is clear. He is as sick of goodbyes as are the best of the Swiss and as are the best of photographers”
“I’d say there is a duality that is keeping things unresolved. The narrative isn’t faux, it’s mine and not mine”
“There is a whole history of photography fronted by Rosalind Wolf Purcell, Akin and Ludwig, and a few others called “Formaldehyde photography”.
‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’
BFA Photography and Video and DEAR DAVE, magazine present artist Roe Ethridge discussing his recently published book Shelter Island (Mack Books) with Kevin Moore. The monograph features photographs from a summer vacation Ethridge took with his family to Long Island, where they rented an all-American kit house and discovered the relics of the previous owners. […]