@ The Estate of Larry Sultan “That [Ambiguity] is really important to me. Part of the difficulty facing photographers is that almost any subject matter has accumulated a representational history, so to find a new discursive space, a space to wander around those subject matters, is a real challenge. If I know too much, if […]
@ Cyril Costilhes The insect in my mind breathes in and it wheezes out. I remember who I was when I walked across the same floor so many years ago to grab a different glass of water, which has since shattered. By Brad Feuerhelm, ASX, February 2015 I walk across the room […]
Nucelear Waste Encapsulation and Storage Facility, Cherenkov Radiation, Hanford Site, U.S. Department of Energy, Southeastern Washington State, 2005/2007 @ Taryn Simon and courtesy Gagosian Gallery “Whatever our personal weaknesses may be, the nobility of our craft will always be rooted in two commitments, difficult to maintain; the refusal to lie about what one knows and […]
Near Kaaterskill Falls, 2012 © Alec Soth, Courtesy: Sean Kelly, New York “One of the biggest statements in Songbook is Soth’s decision to work solely in black and white. The pictures evoke old press photography: large format, black and white, with a strong flash.” By Shahrzad Kamel, February 2015 Following the critical acclaim for Alec Soth’s […]
Between 1945 and 1950, Stanley Kubrick worked as a staff photographer for LOOK magazine. Only 17 years old when he joined the magazine, he was by far its youngest photographer. Kubrick often turned his camera on New York City. (All rights reserved. Images @ The Estate of Stanley Kubrick.)
The earth arcing up in anger at the sky – is the only part of a lightning strike that is visible to the human eye. By Eugenie Shinkle, ASX, February 2015 Lightning – at least the part of it that we can see – doesn’t come from the sky. Invisible fingers of negatively-charged particles […]
I’ve read enough Marquis de Sade to understand that sitting on objects such as candles, improperly folded parchment, and wax encrusted rope can offer a certain sense of pleasure within the penal system, but for some reason, the idea to sit on a bear head, magazine, or American flag had completely escaped my reasoning or […]
Evi, Beverly Hills, 1996 “I like the idea of trespassing. I got to write that down too. It’s quite true that what I am aiming at, even when I take portraits, is to get a scandalous picture. I would love to be a paparazzo.” – Helmut Newton EXPLORE ALL HELMUT NEWTON ON […]
@ Ed Templeton These are the moments when the planets are aligned, when the eyes of the passer-by meet the camera and when metaphor slides into reality. By Owen Campbell, ASX, February 2015 There’s a signature expression in an Ed Templeton photograph; it’s not something that he gravitates to, rather, it’s something that occurs […]
Near Kaaterskill Falls, 2012 @ Alec Soth , courtesy Fraenkel Gallery and Sean Kelly Gallery “If today I look back on this morning, then I get an image of what I saw this morning. But if tonight, I’m thinking back on this morning, then what I’m really recalling is not the first image, but the […]
There was no logical reason to limit the collection, for any reasons of quantity or bulk. Shopping with Andy By Stuart Pivar, originally published in volume five of the Sotheby’s Andy Warhol Collection 1988 auction catalogue Andy Warhol loved to buy art. We used to go shopping for it together for a […]
To become an absolute pariah of self through the visceral dis-corporation of one’s own body, which is needed to inject over 60,000 intravenous deaths is to claim godhood, and in 60,000 other parts, to subsequently claim self as the harbinger of one’s own death (Godhead incorporate). By Brad Feuerhelm, ASX, January 2015 […]