Drew Nikonowicz: This World and Others Like It
“I was raised alongside the internet, so there was never an othering effect from the introduction to newer technologies, especially the internet.”
Matteo Di Giovanni: The Road Cannot be Even, But It Can Be Forgiven.
“As photographers, we are often split into encampments of a means of production that qualify what “happens” in front of our lens and what we “design” in front of our lens-it is not so different with how we manage our lives”.
Making Memories: Morten Barker’s Terra Nullius
“There’s something unnatural and coercive about the idea of ‘making memories’. Surely memories can’t simply be fabricated at will? Forming a memory is something more organic, more random, and it’s all the more precious for this unpredictability.”
Christopher Anderson: COP Interview
“The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]
Maja Daniels: The Elf Dalia Interview
“My initial desire to make this work was my connection and fascination with the language. A language that has existed in my family for hundreds of years but that I do not speak”.
Pino Musi: Border Soundscapes and Concrete Symphonies
“Photography and its compositions play with the end result, which is the still and static frame. We can consider its pre-supposition to modernity and the way in which modernism, technology and industry precipitated our current fascination with destroying their intentions …” A principal feature that photography and music share is that of composition. Composition […]
Stephanie Kiwitt’s Máj/My Consumer Sublime
“The object and its indentured life under the magnifying glass from the future yield an uncanny disquiet”.
Martino Marangoni: Rebuilding – My Days in New York
“Photography is bound to the world, and to time and circumstance, in a way that no other medium is. The technology is constantly evolving, as is the world, and the inevitability of these changes is part of the photographer’s relationship with her or his medium. Arguably, the most interesting photographers are those who never ‘mature’”