New Frontiers with Doug Rickard and Joshua Chuang (2013)

Artist talk with Doug Rickard and Yale curator Joshua Chuang. The Photographic Universe II brings together a range of leading practitioners, scientists, theoreticians, historians, and philosophers to consider and reflect on current discussions in photography at a pivotal moment in its history. The unique format of the conference will consist of one-on-one conversations between two […]

ASX.TV: Mark Cohen – “Photographer” (1982)

CONTEMPORARY PHOTOGRAPHIE IN THE USA – Cinematic workshop discussions about an art form in our day and age. Documented photographers: Robert Frank, Duane Michals, Garry Winogrand, Lee Friedlander, Thomas Roma, Alfred Stieglitz, Harry Callahan, Lisette Model, Ralph Gibson, Mark Cohen, Joel Meyerowitz, Stephen Shore English – Colour – PAL or NTSC – 4:3 – 52 […]

Robert Frank Interviewed at Wellesley College (1977)

“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.”   An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]

william eggleston

William Eggleston – “Before Color” (2010)

  William Eggleston can’t actually separate himself from his “South”. The “South” is embedded into him so deeply that it has become something of a stamp or a mark.   By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at […]

Don Hudson – “From the Archives” (2012)

If you are the type of person that wants to look quickly for connections or a parallel in style or “feel”, Winogrand is right there, ready to be compared to, the weight of the photographs not at all far apart.   By Paul Loomis, January, 2013 This “America” that we know in our gut (those […]

The Animals and Their Keepers: Garry Winogrand and Photography After September 11th

 from The Animals @ the Estate of Garry Winogrand   Winogrand disdained those who treated photographs not as photographs but as an extension of painting.   The Animals and Their Keepers: Garry Winogrand and Photography After Septempber 11 By Hilton Als “The Animals,” a book I was moved to reexamine after the events of Sept. […]

Eggleston’s World (1999)

“I think of them as parts of a novel I’m doing.”   By Walter Hopps, essay from The Hasselblad Award, 1998 These were the first words William Eggleston uttered when I asked what he felt he was accomplishing with his photographs. Another fine photographer from the South, William Christenberry, had brought Eggleston to meet me […]

BERENICE ABBOTT: “PHOTOGRAPHY AT THE CROSSROADS (EXCERPTS)” (1951)

Under the El at the Bowery, New York, c. 1950 By Berenice Abbott, excerpts from Universal Photo Almanac, 1951 The world today has been conditioned, overwhelmingly, to visualize. The picture has almost replaced the word as a means of communication. Tabloids, educational and documentary films, popular movies, magazines, and television surround us. It almost seems […]

Max Kozloff On Lisette Model (and Weegee) (2002)

@ Lisette Model Estate   Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness.   By Max Kozloff, Excerpt from New York: Capital of Photography, 2002 Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. For example, she depicted […]

A Statement by Robert Frank (1958)

With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. By Robert Frank, U.S. Camera Annual, p. 115, 1958 I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my […]