MARK COHEN

Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the HeadGalleriesHighlights

LEON LEVINSTEIN

Leon Levinstein – “Leon Levinstein’s Street Photography”ASX.TV Street Photography

Class Time with Garry Winogrand (1974 – 1976)

  By O.C. Garza The years were 1974, 1975 and 1976. Step back to those years in what was the active, peaceful city of Austin, Texas. The city is nestled hard against the banks of the Colorado River that knives through central Texas. This state governmental seat was changing as it always has and always […]

Weegee and the Jewish Question (1997)

“I’m no part-time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers, plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera.”   Weegee and the Jewish Question By David Serlin and Jesse Lerner Weegee (né Usher Fellig) is best known for his dystopic urban photographs, principally those images made in New York as […]

ASX.TV: Doug Rickard – “A New American Picture” (2011)

Doug Rickard: A New American Picture Presented in the Pier 24 Photography exhibition HERE. May 23rd – December 16th, 2011 Utilizing the comprehensive image archive Google Street View for his series A New American Picture, photographer Doug Rickard virtually drives the unseen and overlooked roads of America, to find bleak places that are forgotten, economically […]

Lisette Model: “A History of Street Photography” (2001)

Fashion Show, Hotel Pierre, NYC, c. 1946 Model saw her subjects as misshapen, almost beastly.   By Joel Meyerowitz and Colin Westerbeck, text excerpt from Bystander: A History of Street Photography, 2001 Another refugee who had to stoop to hustling, scrambling, and scraping by, and ultimately to street photography to support herself, was Lisette Model. […]

An Interview with John Gossage on ‘There and Gone'” (2000)

“One of the things that helps me with doing a book is getting a title at some point that lets me understand its content. I mean basically, that [points to the title of the book] is what’s in here. This [the first chapter] is ‘There,’ this [the second chapter] is the transition, ‘And,’ and this […]

An Interview with Billy Maynard (2011)

Billy Maynard Q & A – Trans/Tender How old are you? 19 Where were you born? Auckland What do you want to explore in your work now and in the future? I want to photograph a feeling I’ve had building inside since a young age. But without constructing any of the pictures deliberately. So far […]

The Garry Winogrand Problem (1988)

Shooting inordinate amounts of film, Winogrand charted a vast, freebooting odyssey through three-and-a-half decades of American culture.     Garry Winogrand: . . . ‘I forgot what year when Robert Frank’s book came out. He was working pretty much around that time, ’55 or whenever it was. And there were photographs in there, particularly that […]

William Klein: “Life is Good & Good for You in New York” (2010)

 Everything about him suggests an anarchic temperament, capable of playing any worldly system to the hilt and then throwing away its benefits.   Brought to ASX by Errata Editions. Full essay included in Books on Books #5 William Klein: Life is Good…New York! By Max Kozloff, Excerpt from William Klein and the Radioactive Fifties, originally appeared […]

William Eggleston – “Sit-In at the Fotomat” (2010)

Looking at Eggleston’s Before Color pictures, newly reborn, requires an odd energy of de-colorization.   By Tim Davis For years, Tod Papageorge, the head of the Photography Department at the Yale University School of Art, would begin student critiques of color pictures with the question, “Why color?” Color was an aesthetic choice and Papageorge felt […]

The Photographer in the Beat-Hipster Idiom – Robert Frank’s The Americans

from ‘The Americans’ @ Robert Frank   Frank’s personality, described by Joyce Johnson as a blend of “European dourness and pessimistic wit,” certainly helped to focus his photographic vision.   By George Cotkin, Professor, Postwar United States Intellectual and Cultural History, California Polytechnic State University Few analysts have captured the sadness, tensions, ironies and possibilities […]