
Robert Frank: Contact Sheets from ‘The Americans’
(All rights reserved. Images @ Robert Frank)
(All rights reserved. Images @ Robert Frank)
Walker Evans’ Many Are Called is a three-year photographic study of people on the New York subway.
Artist talk with Doug Rickard and Yale curator Joshua Chuang. The Photographic Universe II brings together a range of leading practitioners, scientists, theoreticians, historians, and philosophers to consider and reflect on current discussions in photography at a pivotal moment in its history. The unique format of the conference will consist of one-on-one conversations between two […]
Jane Fonda (with bow and arrow), 1965 “No, no. Everybody’s confused. My whole written history is one big lie! [laughs] I mean, I can’t even believe my history.” – Dennis Hopper Dennis Hopper with Tony Shafrazi, Interview excerpts from Index Magazine, 1999 Tony: It’s a long time since I talked to you. So what […]
CONTEMPORARY PHOTOGRAPHIE IN THE USA – Cinematic workshop discussions about an art form in our day and age. Documented photographers: Robert Frank, Duane Michals, Garry Winogrand, Lee Friedlander, Thomas Roma, Alfred Stieglitz, Harry Callahan, Lisette Model, Ralph Gibson, Mark Cohen, Joel Meyerowitz, Stephen Shore English – Colour – PAL or NTSC – 4:3 – 52 […]
“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.” An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]
William Eggleston can’t actually separate himself from his “South”. The “South” is embedded into him so deeply that it has become something of a stamp or a mark. By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at […]
If you are the type of person that wants to look quickly for connections or a parallel in style or “feel”, Winogrand is right there, ready to be compared to, the weight of the photographs not at all far apart. By Paul Loomis, January, 2013 This “America” that we know in our gut […]
from The Animals @ the Estate of Garry Winogrand Winogrand disdained those who treated photographs not as photographs but as an extension of painting. The Animals and Their Keepers: Garry Winogrand and Photography After Septempber 11 By Hilton Als “The Animals,” a book I was moved to reexamine after the events of Sept. […]
“I think of them as parts of a novel I’m doing.” By Walter Hopps, essay from The Hasselblad Award, 1998 These were the first words William Eggleston uttered when I asked what he felt he was accomplishing with his photographs. Another fine photographer from the South, William Christenberry, had brought Eggleston to meet me […]
Under the El at the Bowery, New York, c. 1950 By Berenice Abbott, excerpts from Universal Photo Almanac, 1951 The world today has been conditioned, overwhelmingly, to visualize. The picture has almost replaced the word as a means of communication. Tabloids, educational and documentary films, popular movies, magazines, and television surround us. It almost seems […]
@ Lisette Model Estate Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. By Max Kozloff, Excerpt from New York: Capital of Photography, 2002 Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. For example, she depicted […]