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Archival projects rarely offer a great conceptual rigor, in my opinion. As a collector of vernacular photography for over thirty years, I am often at pains to parse through projects that employ archival material, as I frequently feel that they are unfamiliar with the tropes associated with the material. I frequently struggle similarly when those […]
I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in abundance. […]
I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in […]
I do not know much about the war in Ukraine, despite living in a country that borders it. I don’t know much about it as the fog of war hangs heavily, like a thick, void-like curtain over the whole mess. The principal idea is clear. Russia has invaded its neighbor and, in doing so, […]
Japan is a country that pulls many artists into its clutches like a cultural tractor beam. For reasons unknown, Japan has dominated the imaginations of travellers, writers, artists, and historians to a degree that borders, for many, on obsession. I have never been to Japan, but I can admit being caught in the clutches of […]
The legacy of intergenerational trauma is complicated to untangle. What we pass onto others and try to shield them from is often at odds with the need to unburden the experiences and traumas that have been suffered. It sags in our heart like a loose sock sliding down an ankle, a rock in the shoe, […]
What we do not talk about, dare to concern ourselves with, or pay much attention to are the men who fall through the cracks toward the end. We are happy to discuss the problems associated with masculine behaviour. Yet, we can’t imagine a discussion about men left wandering by their own devices or by […]
I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]
Motel 42 (Leaf, 2024) is another testament to the never-ending slew of American road trip books. However, in Eloïse Labarbe-Lafon’s book, you can’t see much of America outside of the cigarette-stained roadside motel rooms she and her lover Adrien have occupied. You can read about the places they visited in the back of the book, […]
If you happened to attend the 2009 NY Art Book Fair, you might have come across Gregory Halpern’s Omaha Sketchbook on the table of J&L Books. This early version was rough and unassuming, printed on a laser printer and spiral-bound, its pages made from cheap white paper with small contact prints affixed throughout. The images […]
I have never seen a single Sofia Coppola film. This might be surprising for someone reading this book review. Of course, I know her presence and work, but I have not seen the movies for any outward reason. I probably know more about her as a person and a cult hero than I do about […]
Othering, debated through the discourse of reading the camera as a difference machine, seems at the crux of much of photography’s woes. Challenged by the notion that the machine is neutral in its observational and technical ability, the authorship and cultural means of producing images are undergoing a fruitful re-assessment of its terms to represent, […]