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I am sure many of these people are dead. That is not what distinguishes the book or what makes it great. Instead, what is challenging is being alive during that part of history when the faces and bodies inhabiting the frames are familiar, enhanced by the glow from a window. Some of their bodies […]
I get a rapturous effect when I search through early twentieth-century illustrated books on archaeology. I know that it is a relatively niche endeavor, but there is something otherworldly about the effort that allows my imagination to stir in ways that are not easy to equate. Some of this is because the images are fantastical. […]
It would be hard to hand this photobook to someone in a decontextualized state and expect them to understand the modalities of ecstasy and horror that permeate the frames. In the first seventy or eighty percent of the book, figures cavort and twist and are undetermined by a common goal. They are bodies of a […]
This is a fascinating and unexpected title. I suspect that some people might consider it a repeat of images that circulate through Larry Clark’s opus Tulsa, and that is not a wrong way to feel about it, but what is important is how we see the periphery of images from that incredible body of work […]
I recently picked up a copy of Vince Aletti’s The Drawer from Self Publish Be Happy/MACK, a title released last year that won the 2023 Aperture Photobook award. At the time, I knew about the book. Still, I had not picked it up as I was unsure of what I could add to it, being […]
How does one begin to excavate memories that lie in the distressed trough of the murder of a loved one? When he was seven years old, Jean-Michel André was staying at a hotel with his father and his father’s new girlfriend in Avignon, France, when a robbery turned into a homicide with both his father […]
Nikita Teryoshin returns with another great book in 2024. The German artist continues his typological studies following his award-winning long-term project Nothing Personal (GOST) on private arms dealing fairs. Nikita is the master of working on short—and long-term projects that keep him moving. This strategy is excellent because it allows short-term ideas to become books, filling […]
Rodrigo Valenzuela has been producing incredible work for the past couple of years. I was lucky enough to get a copy of his last book, Journeyman, published by Mousse Publishing. It was my introduction to the Chilean-American’s work, and from that point, we managed to have an extensive conversation about his work for Nearest Truth. […]
Fièvre by Lorenzo Castore is a slight wormhole of a photobook. One starts appreciating it through one side of the vacuum and comes out the other side, thinking through it differently. That is not to suggest that it is not consistent; it is. With Castore, I am accustomed to the romantic nature of his photographs. […]
Within the context of death, I have spoken about, and I am sure that I am not alone in this, the strange feeling when a person, persona, and life slip from the realm of the personable to the world of an object, a thing, a husk, though still loved, ultimately lacking the anima necessary to […]
With the publication of Sergio Purtell’s first book, Love’s Labor (Stanley/Barker, 2020), I found myself thinking that portraiture has a very uncanny way of reaching people to tap into their emotions and nerves, and all of this is done without knowing the person in the photograph. I have spent much of my mid-years avoiding portraiture […]
The Sight of It, Translated as Home Maša Seničić I wished to begin with, “when I saw it for the first time,” but I don’t know if I even have a recollection of looking at the building with intent before, if I had ever paid particular attention to its monumental nature, to its allure, or its […]