Managing Editor Brad Feuerhelm Brad Feuerhelm (b. 1977) is a photography collector, curator, dealer, and writer on photography. He is also a photographer. He has published several books on his collection and has exhibited his collection of photography widely. In 2012, he published his first book with Self Publish Be Happy (Coll. MOMA, NY) and […]
Interrogating The Notion of Documentary Truth: Stacy Kranitz – ‘As it was give(n) to me’ Thomas Ruff’s Grand Design for an Unknowing Darkness JH Engstrom Talks to ASX About Photography, Transformation and His Love for Paris Susana Vargas and the “Red Page” Transgender Sensationalism of “Mujercitos” Tiane Doan Na Champassak: Marauder of the Flaming Babylon, […]
“(Tupac) just was an artist. Rap was his medium and he also did films… you know, he was one of those kids that could have done anything. He would have evolved and kept changing. He was the kind of person that was at ease with every type of person. You didn’t have to be […]
From ARTtube, Philip-Lorca diCorcia speaking about his series “Hustlers”. ASX CHANNEL: PHILIP-LORCA DICORCIA
This short from late New York fashion photographer Deborah Turbeville envisions the final moments of her guilty protagonist’s life played out on Mexico’s Day of the Dead.
Sören Schuhmacher graduated with a diploma in Communication Management from the Design Akademie Berlin and studied photography at Ostkreuz Schule für Fotografie. He runs the blog Lost in Publications and works as a photographer in Berlin, Germany.
Fanny Landström is currently studying Photographic Arts at the University of Westminster, London.
Benjamin Tree is a graduate of St Andrews’ Art History department (Scotland), having studied his master’s degree there with a thesis on Eikoh Hosoe’s Kamaitachi. He has most recently been awarded a scholarship for Ph.D study. His research interests include the relationship between photography and philosophy, photographic subjectivity, performance and photography, and photography (books) of the 1950s – […]
Back In The Days documents the emerging hip-hop scene from 1980-1989 – before it became what is today’s multi-million-dollar multinational industry. Back in the days, gangs would battle not with guns, but by breakdancing. Back in the days, the streets – not corporate planning – set the standards for style.