“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”. “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]
“The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]
“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.
What exists of the sensual atmosphere is counterbalanced by scenes like street-side school for teaching the newly-blind how to walk and the mangled bodies, living and dead, just hanging around. By Owen Campbell, ASX, September 2015 2015’s Adieu Saigon is a collection of images shot in Vietnam, where Depardon began working as a photojournalist at […]
CONTEMPORARY PHOTOGRAPHIE IN THE USA – Cinematic workshop discussions about an art form in our day and age. Documented photographers: Robert Frank, Duane Michals, Garry Winogrand, Lee Friedlander, Thomas Roma, Alfred Stieglitz, Harry Callahan, Lisette Model, Ralph Gibson, Mark Cohen, Joel Meyerowitz, Stephen Shore English – Colour – PAL or NTSC – 4:3 – 52 […]
Alec Soth encountered Robert Adams’s 1985 monograph Summer Nights as a young photographer, and the book was, in his words, a “gateway drug” to the “harder stuff” in Adams’s body of work. When asked to participate in Aperture Remix, an exhibition for which artists were commissioned to create new work in response to Aperture publications […]
From ‘Son’ by Christopher Anderson Why show it ? Interview with Christopher Anderson By Baptiste Lignel, December 2, 2012, Paris Baptiste Lignel- You seem to have a dilemma about your project “Son”… Cristopher Anderson – I’m constantly conflicted and still conflicted about showing pictures of my son at all, that maybe later he will resent. […]
Magnum photographer Antoine D’Agata gives a first interview on camera for El Periodico de Catalunya (2008). By Mónica Tudela, Céline Gesret, Miguel Fernández.
Award winning Magnum photographer Bruce Gilden is drawn to strong characters for his close up street portraits, in a new commission for the Format International Photography Festival he turns his lens on Derby in England. BJP’s news editor Olivier Laurent followed him… ASX CHANNEL: Bruce Gilden
Bethany, Storm, Mt Berwick VIC, 2004, from Minutes to Midnight Photography is a generous, abundant medium and Parke is a voracious photographer. By Geoff Dyer I was introduced to the work of Trent Parke (born in Australia in 1971, a member of Magnum since 2007) by a mutual friend, the photographer, Matt Stuart. […]
Madrid, 1933 Cartier-Bresson generated the type of admiration he both enjoyed and ran away from. By Bruno Chalifour, Afterimage, Sept-Oct, 2004 A lot has been written, and more will be, about the life in photography of Henri Cartier-Bresson. If Europe contributed to the medium in the twentieth century, Cartier-Bresson, a.k.a. HCB, probably stood among the […]
Bruce Gilden – Picnic with a Gangster. Брюс Гилден не перестает удивлять. ASX CHANNEL: Bruce Gilden