Every photographer parent that I know has what to the non-parenting world seems like a self-indulgent family album project. Every. one. of. them. Myself. included. Some have several. Making photographs of the family is part of the experience of getting through life. We use the camera to illustrate the mundane, the banal, and the exciting […]
In memory of a young woman that I never knew. This reflection is dedicated to Carol Jenkins-Davis I find myself combatively trying to embed myself in the images, memories and families of others. My initial hesitancy in this pursuit comes from acknowledging the failure of such an enterprise. It comes from a point […]
“Earlier this year, there were some high-profile twitterstorms, in which particular left-identifying figures were ‘called out’ and condemned. What these figures had said was sometimes objectionable; but nevertheless, the way in which they were personally vilified and hounded left a horrible residue: the stench of bad conscience and witch-hunting moralism” This […]
It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent memory […]
“I felt ambivalent about what was unfolding but in the end, the psychic energy and latent subtext, prefaced by a short story involving a headless woman, a bird and a photographer was too compelling to dismiss.”
“In very broad terms, it seems that the work made in the West during the 20th century portrays a prolonged event – a disaster, you could say – that unfolded as modernity overtook the landscape and ideologies were instilled in American culture”.
“Photographs make up the vast majority of how we consider the narrative of California in the late 60’s and early 70’s and Dennis Stock’s California Trip exemplifies the condition for how we examine our historical memory and consciousness of the period”.
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”. “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]
“The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]
“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.
Photojournalist Matt Black discusses his reporting from Guerrero, Mexico. Black explores the social landscape in Guerrero, Mexico in the aftermath of the kidnapping of the 43 students.
from Manhattan Out @ Raymond Depardon and courtesy Steidl What exists of the sensual atmosphere is counterbalanced by scenes like street-side school for teaching the newly-blind how to walk and the mangled bodies, living and dead, just hanging around. By Owen Campbell, ASX, September 2015 2015’s Adieu Saigon is a collection of images shot in […]