Antoine d’Agata – Until the World No Longer Exists

“A photograph is nothing but a lie. The space is cut off, the time, manipulated. They are two uncontrollably false appearances of an image condemned to choose between hypocrisy ­ and good conscience ­ and being fake.” – Antoine d’Agata  “What we see is not made up of what we are seeing but rather from […]

Why Show It? A Conversation with Christopher Anderson (2012)

From ‘Son’ by Christopher Anderson   “I’ve spent the last fifteen years with the title of ‘War photographer’, going to the other ends of the earth, to photographs stories of other people, looking for photographic intimacy from people that I didn’t know.”   Why show it ? Interview with Christopher Anderson By Baptiste Lignel, December […]

Bruce Gilden – “Head On” (2011)

Award winning Magnum photographer Bruce Gilden is drawn to strong characters for his close up street portraits, in a new commission for the Format International Photography Festival he turns his lens on Derby in England. BJP’s news editor Olivier Laurent followed him…   ASX CHANNEL: Bruce Gilden

Geoff Dyer on Trent Parke (2008)

Photography is a generous, abundant medium and Parke is a voracious photographer.   By Geoff Dyer I was introduced to the work of Trent Parke (born in Australia in 1971, a member of Magnum since 2007) by a mutual friend, the photographer, Matt Stuart. He showed me two books by Parke, both self-published. The first […]

Henri Cartier-Bresson’s Last Decisive Moment (2004)

Madrid, 1933 Cartier-Bresson generated the type of admiration he both enjoyed and ran away from.   By Bruno Chalifour, Afterimage, Sept-Oct, 2004 A lot has been written, and more will be, about the life in photography of Henri Cartier-Bresson. If Europe contributed to the medium in the twentieth century, Cartier-Bresson, a.k.a. HCB, probably stood among the […]

Susan Meiselas in Conversation with David Campany

Carnival Strippers, 1973 Susan Meiselas in Conversation with David Campany DAVID CAMPANY: Much of your work seems to be based very much on process, particularly more recent work such as the Kurdistan project and ‘Encounters with the Dani’. Obviously work has to surface, one way or another, but do you have a sense of the […]