Josef Koudelka – Fundación Osde – Argentina – Buenos Aires
We asked Harry Gruyaert what role colour plays in his photography.
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Prescience and Poetry – Alec Soth, a leading contemporary American artist talks about his project, “The Last Days of W” By James Miller James Miller – How did this project develop? Alec Soth – The Last Days of W was never conceived of as a full-length project. The idea originated from some of the assignment […]
From Sleeping with the Mississippi “I have big problems with Sleeping By The Mississippi, there’s parts I love, but definitely things I would do differently now. When people point to those things you’d rather do differently, you feel, ‘I wish I could’, but I can’t.” By Ben Sloat, Big Red & Shiny, November 17, 2009 […]
Eva-Claire #04, 2008 “For me, the feeling of my body in space is really important. It’s all very simple there. Everything seems more real, more authentic, and you can project yourself more easily.” Lise Sarfati and Rick Owens, Austin, Texas. Fashion Magazine 2008 What could they talk about, Rick Owens, a Californian who’s […]
By Javier Panera Cuevas Preface to the Exhibition Catalogue, Lise Sarfati – Domus Artium Salamanca The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability, emerging sexual and emotional sensations within young people are all themes which, in particular, have […]
“I do think these words “documentary” and “photojournalism” refer to different approaches but are rarely thoughtfully used to distinguish the work that is self-generated vs. assigned.” Extending the frame: An Interview with Susan Meiselas By Joanna Heatwole, Mariola Mourelo, Afterimage, March-April, 2006 Susan Meiselas has represented difficult issues with innovative approaches throughout her thirty-year career […]
“There is a dawning awareness that you feel good in this place. Something here makes you attentive, brings you to an awakened state. But you can’t know that beforehand.” Interview by Constance Sullivan, from Creating A Sense of Place, Smithsonian Institution Press, 1990 CS: Why do you choose to photograph a particular place? Why the Cape? […]
from Gypsies, 1975 @ Josef Koudelka and Magnum Photos “I am not interested in talking about things, explaining about the whys and the hows. I do not mind showing my images, but not so much my contact sheets. I mainly work from small test prints. I often look at them, sometimes for a long time. […]
Les photographies d’Alec Soth puisent leur racine dans la tradition de Walker Evans, Robert Frank et Stephen Shore. Sa représentation du quotidien fait apparaître la complexité d’une société américaine construite sur des idéaux d’indépendance, de liberté, de spiritualité, et d’individualisme.