Sergio Purtell: Love’s Labour Review by Zak Dimitrov

“One can use a camera to explore or utilise philosophy, politics, psychoanalysis and what not and this is wonderful as it broadens the scope of what is achievable with this tool. It tends to be forgotten that this is not, however, the be-all and end-all technique”   When one thinks of photographic projects, which more […]

Peter Mitchell: Early Sunday Morning, Signs & Reasons

  “I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough”   It is somehow impossible not to mention […]

Gerry Johansson’s Meloni Meloni

“Where is “the thing I am not seeing”?”   We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]

Arnaud Montagard: The Road, The Diner and the Drink on the Table

  “In the case of Arnaud Montagard’s The Road Not Taken, the lens is focused on the remnants of a mid-century American dream as exemplified by gas stations and diners that bear all the vernacular hallmarks of the Atomic Age”     The best way to describe human activity in a photograph is to remove […]

Marina Caneve: Are They Rocks or Clouds?

“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah

Awoiska van der Molen’s The Living Mountain

Everything is reducible to carbon. From the tip of the pencil that provides musical annotation on a score to the living forest in front of the camera. Carbon provides the means for life and all living forms bend to the will of carbon. Carbon is elemental and essential. It forms more compounds than all the […]

Dieter Keller: Das Auge Des Krieges

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

Fernweh: An Interview with Teju Cole

“I proceed in conversation with the camera, with other photographs, with other photographers, I forget about what writing can do, I think about what photography can do.”

Understanding Guido Guidi: In Veneto and Lunario

    “Perhaps it’s that what I think I know about photography is really a simple cancer in which I pretend to understand what it offers by the speed in which I believe its delivery system acts as a conduit for its understanding. Perhaps, I want things to slow down as I get older and […]

Udo Hesse: Tagesvisum Ost-Berlin

“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]

ASX/VOID Laboratory: Nassima Rothacker’s Crepuscular Memory

“I am reminded of the strange twilight that some of the Pre-Raphaelites used to impose fantasy across their performing muses. This light triggers a response in the viewer that is meant to be neither here, nor there-it is an imposition stuck between differing gravities and concerns ultimately rendering the viewer’s need for explanation nil”.   […]