Laurenz Berges 4100 Duisburg

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

The Opaqueness of Manifest Destiny: Daniel Reuter’s Providencia

Let’s start at the end with the text that closes Providencia by the Chilean Alejandro Zambra. The author, who lives in Mexico City, felt the urge to visit his country after days of increasingly violent protests against the government due to economic inequality. The unrest eventually led to a curfew and the declaration of a state of […]

Nearest Truth Workshop Feature on Patrick Garcia

This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2021.     Nearest Truth is a podcast devoted to photography and culture at […]

Thiago Dezan When I Hear That Trumpet Sound

  I was confronted with three parts of a mental soundtrack while paging through Thiago Dezan’s new book When I Hear The That Trumpet Sound (Selo Turvo, 2021, ed. 200). The first track based on title and the book’s black endpapers and the ominous black cover was Behemoth’s Blow Your Trumpets Gabriel, a rich and […]

Mark Templeton Ocean Front Property

    Original text by Brad Feuerhelm for Ocean Front Property by Mark Templeton Co-Published by Graphical and The Ice Plant     For the Promise of Water     This is my signaling of a complete and utter devotion to the new forms of feral tropicality. I will suggest here and now that for […]

Guido Guidi Cinque Viaggi 1990-1998

  Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]

Paul Graham Beyond Caring

  Despite my years of thin gruel during my time in London, I count myself as lucky for being able to divide my time there into simply “getting by” and avoiding bureaucracy. I have little talent for the regular custom of monthly, let alone weekly subscription to anything in which demands of my time are […]

Michael Kerstgens 1986

  There are global moments in history that feel like tipping points of major changes when you view them retrospectively. In the case of Michael Kerstgens exceptional new book 1986 (Hartmann Books, 2021), the writing on the wall could not be more clear looking back at the year. I remember 1986. I am old enough […]

Max Sher Palimpsests

  Though change is metered through the concept of progress in urban space, oftentimes there is an arrestation of form as its transitions from one set of facades to its new progressive and updated counterpart. This arrestation sees the hybridity of new and old caught in a transitional moment in which both are vying for […]

Daniel Stier: A Tale of One City

In 79 a.d, Mount Vesuvius erupted with a volcanic activity that completely destroyed the Bay of Naples region including the small, but thriving community of Pompei. Pompei was a Roman enclave like most at the time. It had markets, homes, and open-air theatres that featured beautiful mosaics, Roman sculptures and was situated close to the […]

Jo Ractliffe: Under a State of Emergency

“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”

Sébastien Cuvelier Paradise City

    Sébastien Cuvelier’s Paradise City (GOST, 2020) combines several rich storytelling elements into one photobook that considers Iran as a historic place pitted against the tumultuous change of the past fifty years as a backdrop for interrogation. Using his own photographs and images shot by his uncle in 1971 on his own odyssey, Cuvelier […]