“The act of ritual implies transcendence through repetition” I am curious as to where the intersection of our digitally performed lives meet the physical form that we inhabit. I am also interested in how our physical selves occupy a space in a frame. I would go as far as to say that I […]
“We may consider these types of photographs as a glimpse, a grimace or a greeting between subject and viewer, nothing more” It is hard to condense seven years of intimacy into the frames of 35mm negatives. You cannot easily graph the moments that pass between two orbiting worlds, the moments of affection, disagreements […]
“Life is not composed. It is messy” Photography often relies on spectacle as the object of its pursuit. The photographer seeks to illuminate that which they believe will have a significance to the social and political order of the moment or that which can only be illuminated by the ability of the photographer to […]
“Earlier this year, there were some high-profile twitterstorms, in which particular left-identifying figures were ‘called out’ and condemned. What these figures had said was sometimes objectionable; but nevertheless, the way in which they were personally vilified and hounded left a horrible residue: the stench of bad conscience and witch-hunting moralism” This […]
“it is strange for me to consider his efforts as Swedish and yet there is something to the examination of what can only be referred to as the National Camera, implicit in that sentiment are all of the complications of generalizations and archetypes. I am not trying to espouse something concrete, but rather […]
“The phrase “necessary fictions” both characterizes state-created realities, whether simulation in the military training context or the deployment and consumption of fictions in civilian society, and also comments on the documentary form.”
“For artists who do stage their work and find it in situ, the photographic sketchbook is virtually unnecessary as a pre-game facilitator. I would suggest though, that the photographic notebook is an indispensable tool after cheap prints have been made available” One technical tool that photographers often deprive themselves of thinking through is […]
“The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work” The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work. Emmet Gowin, Sally Mann, Judith Black […]
“Killip was a human first and an observer or lucid chronicler second” Chris Killip is known for his immeasurable and singular vision of Britain during the 70’s 80’s and 90’s. To place emphasis on his work in a genre-fied manner would belittle his and its true humanity and potential. Killip was a human […]
“The way in which we write history is tinged with this conundrum. It suggests blinders in the very least and in doing so, should compel an understanding of context that is piecemeal or limited” It’s often difficult to unpack a particular body of work or historic book that has been republished without regarding […]
“One can use a camera to explore or utilise philosophy, politics, psychoanalysis and what not and this is wonderful as it broadens the scope of what is achievable with this tool. It tends to be forgotten that this is not, however, the be-all and end-all technique” When one thinks of photographic projects, which more […]
“I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough” It is somehow impossible not to mention […]