Peter Piller: Unheimlich As Above…
“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”
Yearly Archives: 2017
Anthony Hernandez Interview: Forever
“I went down there and saw all these little paintings of landscapes, houses, little beautiful scenes. The light on that picture is from reflections of cars going underneath the freeway. The whole roll was faint, faint, faint. And then there was the clown. There are so many places like this, it goes on forever.” On […]
A Disquieting Energy: Interview with Dirk Braeckman
“Luc Sante, an American writer and photographer, who was from Belgium originally, said my pictures look like unexploded bombs, there is so much energy in them. They look quiet, but inside, they are full of energy, that is waiting to explode. So, I think people are feeling there is more than only the image.”
Trophy Camera: A New Fear of Organizing Principals
“The AI eventually begins making decisions based on the data analyzed and begins to wade through the torrent of images available in its repository selecting successful images for a hierarchy or production and re-distribution of usefulness within the sets of codes previously implied”
NASTYNASTY: Propositions for THE E-Shovel
“However, by creating an anxiety or a image that begs questions, becomes surreal, or forces the brain and eyes to move around the juxtapositions, the successful adware companies of the future, in determining semi-obtuse economic visual puzzles will be successful. It is as if Edward Bernays has been reincarnated in a land of advertising and marketing opposites and is again reigning SUPREME”
Emmanuelle Andrianjafy: Nothing’s in Vain
“Everything about the city made me uncomfortable and raised questions: the landscape, the atmosphere, the situation, the agitation, etc. It seemed so imperfect. I wanted to understand this chaos.” To the West, is the Atlantic Ocean and the Americas. Facing East, the huge Sahara Desert. The city of Dakar in Senegal sits in between these […]
Darren Harvey-Regan’s Chalk Muse: Reflections on Time in The Erratics
“The plinth and the chalk are symbiotic vehicles for vision. One bleeds into the other with precision, which given the cleanliness of the image is something to consider-to strip away millions of years of aggregate bio-mass and reduce it and time to the constraints of light and human hand presents a challenge to the eye”
Archive of Decline: Social Media Photography in the Anthropocene
“I often ponder where all of these social media images are saved. I wonder if the social media magnates responsible for these sites of convenience have some sort of bunker somewhere, perhaps in a methane crater in Siberia where they store every image that has ever been posted”
Real Nazis: Trauma is the Trigger, but When?
“It is also to remind people that the condition of “evil” or trauma exists only in the post-event and that we do not recognize, as Arendt mentions, the force of its implication while it is being formulated”
Diane Arbus: Imaginary Lives, Subjective Projections
“Arbus reveals the powerful ability of photography to lie, but also it is a testimony of how the lie is not mere betrayal, but a far-reaching human necessity to escape factual reality, the human urge to create and believe in stories, to draw mythical worlds and the inter-subjective life’s alternative narrative.” Imaginary lives, compulsive […]
Sam Contis Interview: Deep Springs
“I think the darkness at the periphery of the work also comes from a desire to acknowledge a certain brutality inherent to the history of the western landscape, and to the struggle for survival within it.”
Ted Serios: Thoughtography as Timeless Enigma
“Ted Serios worked as a bellhop at the “Chicago Conrad Hilton Hotel” together with his colleague George Johannes who hypnotized Serious in order to spot hidden locations of sunken treasures in the sea”