A Capitalist Sublime: Richard Serra
Despite Serra’s insistence on the political neutrality… it’s hard not to read the installation of four towering plates of steel in the virgin desert as a wry observation…
Tag Archives: Steidl
Axel Hoedt: Dusk is Woven to the Hide of Death
Axel Hoedt’s “Dusk” is a real enemy of the cross – a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.
Architectural Icons and Broken Dreams: Subotzky and Waterhouse’s Ponte City
Ponte City came to stand for urban decay and criminality, and in some of the more right-wing imaginings, as a symbol of the failure of black majority rule.
A ‘Real Page Turner’ in this LA Fiction: Philip Brookman’s ‘Redlands’
It is a description that I would not normally associate with photography books, but Philip Brookman’s Redlands is a real page turner. By Karin Bareman, ASX, July 2015 It is a description that I would not normally associate with photography books, but Philip Brookman’s Redlands is a real page turner. Within minutes I was […]
Martin Kippenberger: Peinlichkeit Kennt Keine Grenzen (Embarrassment Has No Limits)
History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.
A Short Interview with Saul Leiter (2013)
“I don’t apply labels to my photographs. I’d much rather have Max Kozloff do that. He’s much better at understanding and describing what I do.”
Torbjørn Rødland: ‘Sasquatch Century’ – Pathology of a Sacred Striptease
Theirs will be a genetic lineage where Eden’s vast land has been bulldozed over for that of another Wal-Mart parking lot where their future generations will congregate to buy house paint while sipping numbness-inducing frozen latte’s from the Starbucks within. By Brad Feuerhelm, ASX, June 2015 It, to him, presents a stranglehold […]
Ken Schles on ‘Invisible City’ and ‘Night Walk’
“For generations the Lower East Side was a churning cauldron of activity. Site of immigrants (my own family passed through there more than a century ago), it already had a long history of renewal and decay.” Alex Bocchetto of Akina Books Interviews Ken Schles Alex Bocchetto: With Invisible City you narrated New York’s […]
Veering Away from ‘American Exceptionalism’ in Jim Goldberg’s ‘Rich and Poor’ (2014)
Birthday Party, 1983 Veering Away from ‘American Exceptionalism’ in Jim Goldberg’s ‘Rich and Poor’ By Owen Campbell, ASX, December 2014 Jim Goldberg’s Rich and Poor is a simple, introspective study consisting of two sets of portraits, one of rich people, one of poor people, with each photo accompanied by captions supplied by the subjects. […]
Robert Adams on Working at Home and Photography as Metaphor (2009)
“By definition art is not propaganda; the goal is not to excite people to action but to help them find a sense of wholeness and thereby a sense of calm.” Excerpt from a 2014 Hasselblad Award chat transcript Question: Congratulations! You have been taking pictures of the American West for four decades now. Why […]
Robert Frank – “Valencia 1952” (2012)
‘”There is one thing the photograph must contain, the humanity of the moment” – Robert Frank REVIEW: Robert Frank – Valencia 1952 (2012) By Fanny Landstrom, ASX UK, April 2013 In 1952, the Swiss born photographer Robert Frank leaves his job and his then current habitat New York to travel with his family […]
William Eggleston – “Before Color” (2010)
William Eggleston can’t actually separate himself from his “South”. The “South” is embedded into him so deeply that it has become something of a stamp or a mark. By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at […]