Rob Ball‘s Silent Coast, published by Photo Editions (2022), suggests a distorted type of lyrical documentary investigation where the cruel conditions of political complications atomize the social concerns of a place and its people, reducing the everyday plight of the individual as small, unheard, and unnecessary. An opaque and uneasy accent of dissolve […]
Diane Arbus, from Untitled This is a 20k-word reaction to Diane Arbus’s posthumously published work Untitled by Aperture. The post comes from a long reaction post on Brad Feuerhelm’s Instagram, where various members of the photographic community replied with their thoughts about the book and its ethical boundaries. The resulting post is a […]
The original source material from this post comes from a long-format discussion with many different voices penning their thoughts on Instagram. I wanted to discover what people thought of Alec Soth’s Sleeping by the Mississippi in 2022. Of course, this is culled from the people who follow me on Instagram and are interested in […]
The Full article can be found on Patreon “The sadness that overwhelms us, the retardation that paralyzes us, are also a shield—sometimes the last one—against madness” ― Julia Kristeva, Black Sun: Depression and Melancholia “On my bicycle tours, time and again, I saw passenger cars, buses, and trucks that just stood around. I […]
Please Visit the Full article on Patreon Synopsis: Morten Andersen’s Satyricon & Munch is a perfect example of the collaborative capacity between music and the photobook. The collaboration between black metal heavyweights Satyricon, Andersen, and the Munchmuseet exemplifies a rare chance to see three dominant egos (even if posthumous) work in tandem to produce documentation […]
The full 2100 Word essay with 11 photographs on Tomaso Clavarino‘s Padanistan published by Studio Faganel and Guest Editions can be found here. Thank you for your support. Summary Text below “My suggestion is that this is a vital book. I am not sure if it is a bit regional in scope. One […]
Does one need a photobook about someone else’s family? What universal aspects of image-making allow the work to transcend from a family album to a book that illustrates the broader condition of human understanding, behavior, and endeavor? There are notable examples throughout the history of photography where images of an artist’s family are remembered […]
We have yet to reconcile the deep chasm of exchange in the American order during the fateful summer and winter of 1969. During the rightfully dubbed Summer of Hate, the Manson Family murders shook the very bedrock of the American free lovin’ psyche. The significance of the murders ended the free wheelin’ summer of […]
We fail our images and images fail our desires. In trying to deliberate over which side of failure images are consigned to, the human side versus the side of the function of the image itself, it is hard to not implicate oneself in misunderstanding the function of a photographic image. We have come to expect […]
There is a resurgence in recent years to look at the topic of industry and labor among artists considering the monumental shift that society is experiencing from manual labor to skilled labor. Over half of the projects that I encounter regarding the shift to automation revolve around digital territories-projects about AI, automation, cryptocurrencies, and […]
Ammoniaque is a simple book. I would almost describe the images within it as minimal. Alexis Desgagnés, a Canadian photographer working in Montreal has chosen to focus his attention on one wall, an intimate object oddly teeming with signs of life or human intervention in an industrialized area of the city situated off Moreau […]
Where the interior of anything of consequence meets its exterior lies a point of tension that is best understood by an examination of limits. In terms of social experience and urban dwelling, this is no different. Designs in 20th and 21st-century forms of living have made the urban experience a questionable experiment much to […]