Nikita Teryoshin returns with another great book in 2024. The German artist continues his typological studies following his award-winning long-term project Nothing Personal (GOST) on private arms dealing fairs. Nikita is the master of working on short—and long-term projects that keep him moving. This strategy is excellent because it allows short-term ideas to become books, filling […]
Rodrigo Valenzuela has been producing incredible work for the past couple of years. I was lucky enough to get a copy of his last book, Journeyman, published by Mousse Publishing. It was my introduction to the Chilean-American’s work, and from that point, we managed to have an extensive conversation about his work for Nearest Truth. […]
Fièvre by Lorenzo Castore is a slight wormhole of a photobook. One starts appreciating it through one side of the vacuum and comes out the other side, thinking through it differently. That is not to suggest that it is not consistent; it is. With Castore, I am accustomed to the romantic nature of his photographs. […]
Within the context of death, I have spoken about, and I am sure that I am not alone in this, the strange feeling when a person, persona, and life slip from the realm of the personable to the world of an object, a thing, a husk, though still loved, ultimately lacking the anima necessary to […]
With the publication of Sergio Purtell’s first book, Love’s Labor (Stanley/Barker, 2020), I found myself thinking that portraiture has a very uncanny way of reaching people to tap into their emotions and nerves, and all of this is done without knowing the person in the photograph. I have spent much of my mid-years avoiding portraiture […]
The Sight of It, Translated as Home Maša Seničić I wished to begin with, “when I saw it for the first time,” but I don’t know if I even have a recollection of looking at the building with intent before, if I had ever paid particular attention to its monumental nature, to its allure, or its […]
Sons of the Living (Trespasser 2024) is Bryan Schutmaat’s opus. It is the summation of a decade-plus of making exceptional photographs. I have been familiar with his work for some time, and seeing his work and career grow has been a pleasure. He is also a good dude and supportive of other artists. That should […]
I know very little about architecture. I am aware of certain Starchitects, of which Mexican architect Luis Barragán could be considered part of the milieu. A starchitect is one of the high-profile architects who became a household name. A list of starchitects could include, but is not limited to, Zaha Hadid, Tadao Ando, Frank […]
With the recent emphasis on street photography found in volumes such as Matt Stuart’s Think Like a Street Photographer (Laurence King Publishing, 2021) and Reclaim the Street: Street Photography’s Moment, Matt Stuart with Stephen McLaren (Thames & Hudson, 2023), there seems to be a renewed awakening to the genre. If the countless YouTube videos about […]
It has taken me a few weeks to elucidate my feelings in reviewing Gregory’s new book King, Queen, Knave, published by MACK this past month. I had previously seen some photographs in a workshop we facilitated in Athens with Gregory, Raymond Meeks, Adrianna Ault, and Tim Carpenter. I remember the images well, though I am […]
Forest photography is a challenging art. I mention this regarding the photobook format, as the most significant complication of sequencing a book from a photographic forest yield is the difficulty of repetition. The question is, “How many photographs of trees can I look at without losing interest?” and “How much minute variation of a […]
Paul Graham’s new books Ambergris/Verdigris, published this year by MACK, have several parallels worth exploring. First and foremost, it should be said that these titles feel like a return to form. While I am a fan of most of Graham’s bodies of works, the last books have been very inward and family-oriented. There is […]