Robert Flick LA Diary

  Robert Flick’s career is exciting. Born in Holland in 1939, the artist emigrated to North America by the 1960s and had work featured in publications as early as 1966. He has been exhibiting since the 1960s, and his work is featured in many institutions; yet, he is not easily placed in any respective movement, […]

Suwon Lee Mr. & Mrs.

Archival projects rarely offer a great conceptual rigor, in my opinion. As a collector of vernacular photography for over thirty years, I am often at pains to parse through projects that employ archival material, as I frequently feel that they are unfamiliar with the tropes associated with the material. I frequently struggle similarly when those […]

Vitor Casemiro Shadow Over Shadow

I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in abundance. […]

Ricardo Tokugawa Utaki

  I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in […]

Interview With Andi Gáldi Vinkó

Artist-photographer Andi Gáldi Vinkó turns her lens on the raw, often overlooked facets of pregnancy and early motherhood. In this interview, she discusses her photobook Sorry I Gave Birth I Disappeared But Now I’m Back and explains how her candid — sometimes subversive — images dismantle stereotypes while illuminating the everyday experiences and unspoken struggles of maternal […]

Dimitris Mytas – Elephant

Parenting in the beginning is chaotic. Time presents as something elusive. It no longer defines the days. It runs together until a point of clarity emerges. The experience is tiring, but surprisingly nurturing in retrospect. Once the smoke of the early years begins to clear and a sense of autonomy returns, one is left to […]

Boris Wanders & Judith Lechner – On/t/schuld

The legacy of intergenerational trauma is complicated to untangle. What we pass onto others and try to shield them from is often at odds with the need to unburden the experiences and traumas that have been suffered. It sags in our heart like a loose sock sliding down an ankle, a rock in the shoe, […]

Kristian Krän – La Soufrière

  What we do not talk about, dare to concern ourselves with, or pay much attention to are the men who fall through the cracks toward the end. We are happy to discuss the problems associated with masculine behaviour. Yet, we can’t imagine a discussion about men left wandering by their own devices or by […]

Pieter Hugo – Californian Wildflowers

  I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]

Katrin Koenning – Between the Skin and Sea

  Between the Skin and the Sea is the new book by German artist Katrin Koenning. Katrin lives abroad in Australia, and that will factor into the discussion regarding her latest book, published by Chose Commune, the wonderful French publisher who put out her book with equally talented Sarker Protick in 2016, entitled Astres Noirs. […]

Eloïse Labarbe-Lafon – Motel 42

Motel 42 (Leaf, 2024) is another testament to the never-ending slew of American road trip books. However, in Eloïse Labarbe-Lafon’s book, you can’t see much of America outside of the cigarette-stained roadside motel rooms she and her lover Adrien have occupied. You can read about the places they visited in the back of the book, […]

Kentaro Kumon – Smoke and Steam

  With Japanese photography, I have had to change how I look at it from the surface level toward something much more intricate in my understanding of how Japanese artists approach the camera. When I first started looking into the national camera of Japan, the obvious references were already a known quantity to me. Classic […]