Sometimes, he claimed, he would arrive before the authorities. He gained the nickname “Weegee” from the Ouija board, events would happen. By Mark Svetov, Originally Published in Noir City Sentinel, Fall 2010 By his own estimation, Arthur Fellig (a/k/a Weegee, 1899-1968) covered more than 5,000 murders as a freelance photographer in New York from […]
“AIDS changed everything in my life. There’s life before AIDS, and after AIDS.” By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to ASX in partnership with The Digital Journalist AIDS changed everything in my life. There’s life before AIDS, and after AIDS. We were in Fire Island that […]
EXPLORE ALL WEEGEE ON ASX
Dash Snow originally started taking photos when he was a teenager. Using Polaroids as a diaristic record of the many ‘nights before’ he couldn’t remember, his snapshots piece together a fragmented portrait of Nihilistic existence. ASX CHANNEL: DASH SNOW (All rights reserved. Images @ the Estate of Dash Snow)
“Basically, I mean, ah—well, let’s say that for me anyway when a photograph is interesting, it’s interesting because of the kind of photographic problem it states—which has to do with the . . . contest between content and form.” Originally Published in Image Magazine by George Eastman House – Vol. 15, No. 2, […]
Disturbing and graphic images of killings and gangster arrests in depression-era New York by photographer Weegee are on show at the International Center of Photography in New York.
By focusing her lens specifically on the urban street child, Levitt revived an iconographic tradition that gained significance in nineteenth century realist traditions concerned with the fate of the urban poor. By Elizabeth Gand, “Child’s Play in Helen Levitt’s Early Photographs” “The unconscious obsession we photographers have is that wherever we go we want to […]
Berenice Abbott can be considered the photographer of New York City. A revolutionary documentary photographer, Abbott was born in Springfield, Ohio, in 1898, and studied for one year at Ohio State University, Columbus, before moving to New York in 1918.
“I’m no part-time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers, plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera.” Weegee and the Jewish Question By David Serlin and Jesse Lerner Weegee (né Usher Fellig) is best known for his dystopic urban photographs, principally those images made in New York as […]
Everything about him suggests an anarchic temperament, capable of playing any worldly system to the hilt and then throwing away its benefits. Brought to ASX by Errata Editions. Full essay included in Books on Books #5 William Klein: Life is Good…New York! By Max Kozloff, Excerpt from William Klein and the Radioactive Fifties, originally appeared […]
“But since I work in a spontaneous way, I have to be a little bit sneaky because I don’t want them to know that I’m going to take a picture of them.” Interview with Bruce Gilden, PBS, The Arts Show EGG: How do you describe yourself as a photographer? Bruce Gilden: I guess I’d be […]