“The photographs in Volume 1 of In Sardegna are extraordinary. It’s as though Guidi was trying to wrap his wide-angle lens around everything at once: people, cars, buildings, gestures, dogs and donkeys, rocks and trees and landscapes.”
Photographer Robert Adams discusses the mystery and contradictions involved in capturing the American West on film. He describes making pictures of Colorado and California, where he uncovered both the darkness and the beauty of humans’ impact on the land.
‘While Ruwedel’s concise framing draws attention to the resemblance between one house and the next, it also compels us to reflect on the singular defeats that they portray, each one a small chip out of the American dream.’
‘linoleum buckles on counter tops, and unseasoned lumber twists walls out of plumb before the first occupants arrive.’