Matthew Genitempo is producing serious photobooks. Of the three books that I am fortunate to have on my shelves, his latest Dogbreath is one of his finest, but it is hard to create a hierarchy between it, Mother of Dogs, and Jasper. All three titles are excellent offerings, and it would benefit photobook makers […]
Putting my thoughts on this book together has taken me a while. Most of this comes down to trying to understand how I feel about the subject or lack of subject within the work and the position of the author(s) to that. I often have a knee-jerk reaction when it comes to people photographing […]
The work of Toshio Shibata is not easy to categorize by genre. The overriding and extended principle featured in the work is that of a type of industrial architectural photography. This is, in turn, echoed by a nod to ecological considerations of the landscape. The photographs feel monumental and isolated. People do not enter […]
Full Article on Patreon Andreas Gehrke is someone who I have covered previously for his exceptional photobooks. I have nearly every title he has produced, and standouts include Berlin a Brandenburg, among many others. His output is incredible, and he also self-publishes these titles under his imprint Drittel Books. What I find universal in […]
I’m going to start this review in a slightly off way by suggesting that the subject matter, no matter how expertly handled in the beautifully produced self-published set of books proposed by Regina Anzenberger is not my cup of tea. This will be a failed review as I cannot find the words to speak […]
“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”
RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]
“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken” Trauma is a strange attractor. Just as […]
“Maybe just to plant a stake in the ground, I’d also say that topics are not necessary. Which doesn’t at all mean that one can’t have one; just that one needn’t”. This conversation took place over a year of emailing and should be read as informal. The intention was to talk about Tim’s […]
“There is noise, distortion, grain and the magnetic tape in my mind completely fails in parts to distribute any information at all. The images are dark, stained by the passing of time and the incredulous weight of dry heat. Throughout the song “Blackened” by Metallica plays over and over…” When I look at […]
It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent memory […]
“The photographs in Volume 1 of In Sardegna are extraordinary. It’s as though Guidi was trying to wrap his wide-angle lens around everything at once: people, cars, buildings, gestures, dogs and donkeys, rocks and trees and landscapes.”