“In a way I wanted to blot out any traces or information about the person in front of the camera. I also wanted to indicate that the viewer is not face-to-face with a real person.” Gil Blank with Thomas Ruff, originally published in Influence Magazine, Issue 2, 2004 Gil Blank: Many of the portraits […]
Jay Adams @ Glen E. Friedman “So my advice is if you really love (art) keep doing it, and if it’s not your life then get the fuck out of it.” By Daniel Rolnik, November 2010 D: You are known for using your Pentax k1000 camera, but what film stocks are your favorites […]
Carnival Strippers, 1973 Susan Meiselas in Conversation with David Campany DAVID CAMPANY: Much of your work seems to be based very much on process, particularly more recent work such as the Kurdistan project and ‘Encounters with the Dani’. Obviously work has to surface, one way or another, but do you have a sense of the […]
“But since I work in a spontaneous way, I have to be a little bit sneaky because I don’t want them to know that I’m going to take a picture of them.” Interview with Bruce Gilden, PBS, The Arts Show EGG: How do you describe yourself as a photographer? Bruce Gilden: I guess I’d be […]
Untitled, New York, NY, 2005 (from “The Plan”) By Shane Lavalette, Big Red & Shiny, December 3, 2007 Shane Lavalette: How did you first discover photography and when did you realize it was the right medium for your ideas? Michael Schmelling: My parents have had an interest in photography, both as a hobby and as […]
“I like to think that in order for any of us to really do anything new, we can’t know exactly what it is we are doing.” By John Caponigro, December 1998 – January 1999 Born in 1941, Emmet Gowin grew up in southern Virginia. He began photographing in 1961, at the Richmond Professional Institute, […]
“I wanted to photograph in the favellas but is was dangerous for me and actually for anyone I wanted to photograph. I met two Brazilian artists, Patricia Azevedo and Murilo Godoy. We decided to give cameras out and ask people (especially children) if they would like to take pictures themselves.” In Conversation: Julian Germain […]
“This is why I continue accepting commissions, even though economically I don’t have to. Because making money gives me a kick, but also because 1 think it’s important for me to have the discipline, to work for somebody within a given frame. At least from time to time.” – Helmut Newton Frank Horvat with Helmut […]
Prescience and Poetry – Alec Soth, a leading contemporary American artist talks about his project, “The Last Days of W” By James Miller James Miller – How did this project develop? Alec Soth – The Last Days of W was never conceived of as a full-length project. The idea originated from some of the assignment […]
“I have no problem with that. I don’t want to feign being intimate with somebody I meet 5 minutes ago.” Interview with Richard Woodward, New York City, June 2007 RW: Let’s start with this new book, which is actually a series of books, and work backwards. How did the project originate? PG: Well, my […]
“I had been blessed with an innate, a built-in, quality of design composition–of composition, not just design composition.” Interview with Julius Shulman Conducted by Taina Rikala De Noreiga at the Artist’s home in Hollywood Hills (Los Angeles), California. January 12 & 20, February 3, 1990. TAINA RIKALA DE NOREIGA: Let’s start by you telling […]
Bert with Guitar, 1992 Shelby Lee Adams was recently interviewed by an entity that decided not to run the complete text. We are bringing it here to ASX. Q: I’ve read that you spent much of your childhood in Kentucky, but that mountain people weren’t held with much regard in your family. Can you tell […]