“There are downsides of course to these multiple identities. You can find yourself developing a bit of a split professional personality and it can make it difficult at times to know where to best direct your energies. Other people struggle with your split loyalties as well.”
“I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues.”
“I am honestly not so sure how we respond to the nature of photography as a “document” anymore…”
“His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with.”
I wanted very badly to rally the troop of self against THE MACHINE…
Tate visits artists Broomberg & Chanarin in their studio as they prepare for their performance piece ‘War Primer 2’, staged at Tate Modern as part of the ‘Conflict, Time, Photography’ exhibition. Broomberg & Chanarin created this unique performance in response to the themes of Tate Modern’s ‘Conflict, Time, Photography’ exhibition. Featuring eighteen army cadets aged […]
“If you read the Bible you see very quickly that God reveals himself, or at least his most prominent mode of address is through catastrophe, through violence.” Brad Feuerhelm interviews Broomberg & Chanarin for ASX, April 2013 Brad Feuerhelm: I wanted to start off with a question about the forthcoming book project with Mack. […]
South-African photography duo Adam Broomberg and Oliver Chanarin of Broomberg & Chanarin talk us through how they’ve had access all areas and why they are not political artists, even though their work touches on the subject. Now blacklisted in politically-sensitive territories after shooting at Chicago, a training camp built by the Israeli Defence Force, they […]