Chloe Sells: The Morass of Sacred Geometry
“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”
“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”
“These spaces now hide, move, dwindle or extinguish themselves from the aim of progressive rule. There is not an alternative.”
“He plays with the disruption in the aesthetic surfaces of our daily life and this allows him (and us) to experience a reality which might be bypassed.”
“Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾ portrait.”
“His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with.”
“You might lose fingers to ice skates and the black girl sitting atop the white wedding cake is not by mistake.”
“They form experiences that, like I have previously mentioned, are de-materialized and completely aural, if not spiritual”
“What we cannot speak, we must pass over in a meaningless system of categorization.”
At its surface, the need to stand, to rise, and to disembowel the state looks permeable
“I always imagine that it looks like a whisper would look if a whisper would wail.”
So goes the hysterical re-invention of hysteria by Javier Viver
“Fuck, he’s going to take up my time telling me about how he’s been a photographer since the 60’s…”