Larry Clark’s Memory

Memory is largely based on lived experience. We remember important events that mark the passage of time, and as we get further away from those events our memories may be distorted; we lose details and make additions along the way. By Megan Bradley, first published  in Volume 3 of the Concordia Undergraduate Journal of Art History […]

Lorenzo Vitturi Talks Anatomy, Vibrancy and Social Decay (2014)

  “I like to compare my process to that one of a visionary anatomist.”   By Brad Feuerhelm, ASX, January 2014 Lorenzo Vitturi’s “Dalston Anatomy” has seen a nearly unparalleled foray into an examination of East London’s pluralistic social patterning through the remnants of its populace’s debris. Focused mainly on the ephemeral passing’s of the […]

REVIEW: William Eggleston – “At Zenith” (2013)

At Zenith I (from Wedgwood Blue), 1979/2013 © Eggleston Artistic Trust. Courtesy of Gagosian Gallery In the sleek and immaculate setting of the Gagosian Gallery, my childhood and adulthood escapes unexpectedly met each other. REVIEW: WILLIAM EGGLESTON – “AT ZENITH”- GAGOSIAN GALLERY MADISON AVENUE OCT 26- DEC 21 2013 BY: Shahrzad Kamel, NYC DEC 2013 When I was […]

Notes on Five Key Jean-Michel Basquiat Works

Untitled (Head), 1981 His paintings proclaimed the existence of a more basic truth locked within a given event or thought. The Defining Years: Notes on Five Key Works By Fred Hoffman The idea that the soul will join with the ecstatic Just because the body is rotten— That is all fantasy. What is found now […]

What They Are – A Conversation With Wolfgang Tillmans (2001)

Blushes #28, 2000 “Ever since I started printing in 1990, I’ve been collecting things that went wrong in the darkroom.” By Nathan Kernan, from “What They Are” originally published in Art On Paper, May-Jun 2001 Photographer Wolfgang Tillmans was born in 1968, in Rem­scheid, Germany, a small town not far from Dusseldorf. He moved to Hamburg after […]

Larry Clark: “Perfect Childhoods (Excerpt)” (2005)

Untitled (Muddy Girl, New Mexico) from Teenage Lust Clark’s aging sentient body, naked or otherwise, is central to his project to reclaim and live teenage life. By Sudhir Mahadevan, excerpt from Where the Boys are: Cinemas of Masculinity and Youth (2005) Larry Clark has made three feature films that have been released commercially, Kids (1995), […]

Interview with Lewis Baltz (2009)

“If you wanted to work in the vein of Walker Evans, you could do very well at Yale. But if you didn’t want to do that, you were just – you’re kind of left alone.”   Oral history interview with Lewis Baltz, 2009 Nov. 15-17 An interview of Lewis Baltz conducted 2009 Nov. 15-17, by […]

Jean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)

He was also known to be reluctant to involve himself in black politics, often finding himself estranged from “up town” black artist communities. By Louis Armand,  from a lecture at the Comparative Studies Colloquium, August 30, 2000, Monash University, Melbourne, Australia. When Jean-Michel Basquiat died in 1988 at the age of twenty-seven he had only been […]

Robert Frank: “Unpleasant Connections” (1991)

“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.”   By […]

Brassai – ‘The Surrealist Observer’ (Excerpt) (1998)

Brassai always insisted that none of his photographs was posed…   By Marja Warehime, excerpt from Brassai: Images of Culture and the Surrealist Observer Brassai always insisted that none of his photographs was posed, and there is no reason to believe that he behaved differently with the toughs in the rue de Lappe then he […]

An Interview with Leigh Ledare (2013)

Untitled (Entire Roll), 2008 36 mounted C-prints 135.9 x 201.9 cm An Interview with Leigh Ledare By David Joselit, originally published in Leigh Ledare, et al, 2013. David Joselit: So many theories of subjectivity that have structured art practice since the feminist interventions of the 1970s have focused on duality: self vs. other. But, in […]