Der Greif: An Interview with Simon Karlstetter
“When it comes to thinking about and working with photographic images nowadays, I think it’s crucial to engage with the ways these images are being produced, presented and perceived.”
Aaron Schuman: Remote Hereditary Object-hood in FOLK
“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as that it seems to deflect from what we actually are: American”
Sofia Borges: The Indignity of Classifying Marks
“There is a whole history of photography fronted by Rosalind Wolf Purcell, Akin and Ludwig, and a few others called “Formaldehyde photography”.
Katrin Koenning and Sarker Protick: Towards the Light
“Completely captivated by the photographic possibilities of light, both artists come at the medium with a desire to seek the extraordinary, in order to access invisible states of consciousness.”
The Political Image as Embodiment of Cyclical Failure
“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.
Chloe Sells: The Morass of Sacred Geometry
“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”
Klaus Pichler: The Septic Familiar
“These spaces now hide, move, dwindle or extinguish themselves from the aim of progressive rule. There is not an alternative.”
Interview with Eanna de Freine of The Velvet Cell
“I was especially interested in the ideas of modernisation and particularly the belief that we have developed in a linear fashion – always going to something better.”