L’Ascenseur Végétal Interview: Support Photography Book Stores #2

“I know the first photograph that left a significant mark on me, to this day, is George Rodger’s picture of the defeated Nuba wrestler carrying the victor”   Claude Lemaire runs L’Ascenseur Végétal in Bordeaux, France and stocks both new and antiquarian photography books. With all of these interviews, what I hope to accomplish is […]

Maria Lax: The Phenomenon of Fire, Regardless Its Truth

“In the case of phenomenon, we often commodify our intentions and collude over a recognized minority of experience based on the slight repetition of the materialization of unnatural form”   There is a common element that divides the paper-thin system of belief between what we consider phenomenon and what we consider truth. This is the […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

Udo Hesse: Tagesvisum Ost-Berlin

“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]

Benjamin Pfau: Isthmus, A Nocturnal Biopic

  “So, why do you go to Bangkok if you are under 50, able-dicked and not looking to run an anti-biotics course every Monday morning? You float, you drift and you embed yourself in loose associations that prohibit direct and long-term commitment to form, but rather situate the time spent in a separate category that […]

Sam Contis Dorothea Lange: Day Sleeper Then as Now and.

    History generally presents itself to the future in visual terms that signify the distance between the two points of time from its creation and its re-purposing and its re-examination. The fallacy in photographic terms of historical representation and its distribution of intent are intertwined between reason and audience over the passing of linear […]

Paula Bronstein: Ukraine’s War – Lives Frozen by Conflict

When violence broke out in Ukraine in 2014, many young people left, while the elderly stayed behind just barely surviving. After almost five years of conflict, large areas of the Donbas region, which includes a 500-km “contact line”, remain under the control of separatists amid a war that has displaced more than 1.5 million with […]

Brad Rimmer: Nature Boy, Dispossession and the Art of Fire

“The teens of the group had mentioned amongst themselves that Marie Kondo was probably part of the seemingly insidious discussion. Was the dispossession that the man raged about relegated to clutter or to economics? And…why should we/I/You concern ourselves with considerations of obscene boredom when the beds were allegedly burning? Not much fun in this […]

Bryan Schutmaat:The Goddamn Interview

“In very broad terms, it seems that the work made in the West during the 20th century portrays a prolonged event – a disaster, you could say – that unfolded as modernity overtook the landscape and ideologies were instilled in American culture”.

Photojournalism

Explore the latest photojournalism. No Photo 2025Yana Kononova Radiations of WarLúa Ribeira – Subida Al CieloInterview with Moises SamanNikita Teryoshin – Nothing Personal: The Back Office of WarNick Gervin – PortlandersMeet the Photojournalist: James Whitlow DelanoLewis Bush: General Interrogation and Jersey Metropole PrimerMax Pinckers Interview: On Speculative DocumentaryAndrew Miksys: Flowers of RuinBare Life, Bare Tech: [...]