Chester Pannell interviews Sharp regarding his subway graffiti in New York City, which at the time was rather controversial and debated as a form of art. His paranoia is understandable, as anyone actually living in the year of Orwell could relate. A restored version will be released in the far future. Feb. 1984, episode #34.
Ed Ruscha: Buildings and Words is a short-length documentary, commissioned by MOCA, about Ruscha’s extraordinary body of work. The film is written and directed by Felipe Lima and narrated by Owen Wilson. Director and Writer: Felipe Lima Produced by: Ways & Means Executive Producers: Lana Kim, Jett Steiger Producer: Rachel Nederveld Narrated by: Owen Wilson […]
In April of 1983 while the Haggerty Museum was under construction, Keith Haring, then a young artist living in New York, was invited to the Marquette University Campus in Milwaukee to create a mural on the construction site where the building for the new museum was to be built. The aim of the Keith Haring […]
The road to being an artist was “like blind leading the blind” says Ed Ruscha, who grew to be one of the most recognised American artists of the 20th century. Hear the story of West Coast Jazz, his break with abstract art and L.A. in the 1960s. When Ed Ruscha entered the Los Angeles art […]
“I think some contemporary subcultures can offer a kind of phrenological shortcut back to different epochs and their manners of appearance”
“The paintings are beautifully grotesque and at one with the human condition. The bubbling and fungal masses are crude stand-ins for our own nature of fucking, feasting and dying”
“I personally cannot even “see” porn anymore. Perhaps I am desensitized, but I fail to adhere to the moralistic innuendo that is applied to a word like pornography.”
A short preview of Takashi Murakami’s solo exhibition “The 500 Arhats,” open at the Mori Art Museum in Tokyo, Saturday October 31, 2015 -Sunday March 6, 2016. ©2015 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
And If, 1992 enamel on aluminum 52 x 36 in. (135 X 90 cm. First and foremost, Christopher Wool is a painter and when it comes to the discourse on the viability of painting, he shows us that the medium is indeed very much still alive. Excerpt from a Wright Auctions text on […]
“I have never thought of myself as a pop artist. However, when I was young there was a time when I was influenced by the methodologies and techniques of pop artists, such as Warhol.”
Bacon felt very strongly about phraseology. He erased words like ‘very, very’, or ‘well’, and ‘you see’, but added words like ‘accident’ and ‘artificial’.
No one was selling any work then, understand that. All these things that you know about now. I could tell you story after story.