WEEGEE

Vitor Casemiro Shadow Over Shadow

I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in abundance. […]

Tommaso Protti – Terra Vermelha

    I had to take a bit of time to digest this book. I remember receiving it before the end of the year and being genuinely overwhelmed with it for a few different reasons that I will outline here. I think the feeling of being overwhelmed first stemmed from the photographs being of an […]

Gabriele Basilico non recensiti

Gabriele Basilico is not an artist whose career I had given much consideration to outside of his architectural and urban planning-like topographic images. His poetic monochrome images of both historic cities and bustling urban centers, with their deep and penetrating contrasty shadows, and his fixation between newly built technocentric cities and conversely dormant economically-challenged cities […]

Aaron Schuman: Slant Interview

“Reading through them, I realised that the best ones seemed to create a kind of mental-image in my mind’s eye – which due to the tone of the text often took the form of a very deadpan, monotone, and even monochrome photograph of a little scene in small-town America; I was imagining a very straightforward picture made by Walker Evans or Lee Friedlander or Diane Arbus or others, of four dogs sitting on top of a car, or a guy standing next to a tree in the middle of the afternoon with bloody knuckles…”

“WEEGEE AND BETTIE”

    Weegee (Arthur Fellig) was personal friends w Bettie Page, for years living only three blocks apart from each other just off Times Square (Weegee on West 47th Street and Ms. Page on West 46th Street), a walk one can do in less than five minutes.   EXPLORE ALL WEEGEE ON ASX   (All […]

Weegee: Portrait of the Artist as a Paparazzo (2006)

He was so respected by the NYPD that they let him fit a police radio in his car, but even with that edge, his uncanny ability to show up at a crime scene before the police even knew about the crime gave him his nickname. Weegee was so fast that he must be getting tip-offs […]

Max Kozloff On Lisette Model (and Weegee) (2002)

@ Lisette Model Estate   Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness.   By Max Kozloff, Excerpt from New York: Capital of Photography, 2002 Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. For example, she depicted […]

Weegee: Life and Death (Mostly Death) in the Streets (2010)

Sometimes, he claimed, he would arrive before the authorities. He gained the nickname “Weegee” from the Ouija board, events would happen.   By Mark Svetov, Originally Published in Noir City Sentinel, Fall 2010 By his own estimation, Arthur Fellig (a/k/a Weegee, 1899-1968) covered more than 5,000 murders as a freelance photographer in New York from […]

Weegee and the Jewish Question (1997)

“I’m no part-time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers, plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera.”   Weegee and the Jewish Question By David Serlin and Jesse Lerner Weegee (né Usher Fellig) is best known for his dystopic urban photographs, principally those images made in New York as […]

Famous Photographers Tell How – An Interview with Weegee (1958)

  “It’s like a modern Aladdin’s Lamp, you rub it and, in this case the camera, you push the button and it gives you the things you want.”   Click to Play (Right Click & Save to Download): “Weegee” MP3 by Weegee, 1958. From the 1958 LP “Famous Photographers Tell How” (Audio transcription by Erica […]

Mary Margaret McBride with Weegee (1945)

“I know every block, every sign-post, every cop, every beggar, every . . . everything.”   Interview with Weegee and Mary Margaret McBride for station WEAF on July 11, 1945 ANNOUNCER: It’s one o’clock, and here transcribed is Mary Margaret McBride. MARY MARGARET MCBRIDE: Who’s always been madly in love with New York City, but […]