From Eggleston in the Real World.
Looking at Eggleston’s Before Color pictures, newly reborn, requires an odd energy of de-colorization. By Tim Davis For years, Tod Papageorge, the head of the Photography Department at the Yale University School of Art, would begin student critiques of color pictures with the question, “Why color?” Color was an aesthetic choice and Papageorge felt […]
By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at the body of his work on the whole, the majority of it (almost all) is set within the Southern environs of the US… places like Tennessee, Alabama, Georgia, Kentucky and […]
“The blindness is apparent when someone lets slip the word ‘snapshot’. Ignorance can always be covered by ‘snapshot’. The word has never had any meaning. I am at war with the obvious.” William Eggleston in Conversation with Mark Holborn (Afterward from The Democratic Forest) “I was in Oxford, Mississippi for a few days and […]
On the eve of the election, when nothing had yet been decided, when everything–whatever that everything was–hung in the balance, Eggleston made an elegy…a statement of perfect calm. Preface from Election Eve By Lloyd Fonvielle William Eggleston made these photographs in and around Plains, Georgia –and along the route of his journey there from Mississippi–on […]
Do we care for anything but mystery? And does anything matter more than its apprehension? William Eggleston, Mystagogue, From 2 and 1/4. 1999. By Bruce Wagner Do we care for anything but mystery? And does anything matter more than its apprehension? During our days, we try so hard to find and hold it; at night, […]
It’s hard for me to describe the fascination that William Eggleston’s photographs exert on me. William Eggleston: Draft of a Presentation By Thomas Weski It’s hard for me to describe the fascination that William Eggleston’s photographs exert on me. More than twenty years ago, I bought William Eggleston’s Guide, the catalogue of his solo […]
The choice of subject matter seemed to some critics to be totally indiscriminate, as though William Eggleston has applied no criteria at all. William Eggleston: The Tender-Cruel Camera By Thomas Weski ‘I don’t particularly like what’s around me.’ I said that could be a good reason to take pictures. He said: ‘You know, that’s […]