“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.
“I don’t apply labels to my photographs. I’d much rather have Max Kozloff do that. He’s much better at understanding and describing what I do.”
By Robert Coles, Wellesley College, 1977 I have an intense dislike for Diane Arbus. I don’t like her photographs and I don’t like the cult that’s been made of them. Maybe it’s because I’m a psychiatrist, because some part of me feels that that’s wrong, that that isn’t the whole of the reality. Or maybe […]
W. Eugene Smith – More Real than Reality By Silke van de Grift for ASX Until March 16th the Photography Museum of Amsterdam (FOAM) presents a retrospective of W. Eugene Smith (US, 1918-1978). The exhibition features six series of photographs, including The Country Doctor (1948), acclaimed as photojournalism’s first official photo-essay. The other series shown […]
Sam Stephenson, a writer and director of the Jazz Loft Project at the Center for Documentary Studies at Duke University, Durham, North Carolina, spoke May 11, 2010, at the Ulrich Museum of Art at Wichita State Univeristy about the life and work of photographer and Wichita native W. Eugene Smith. Smith, who worked at the […]
W. Eugene Smith’s Pittsburgh Photographs Carnegie, Nov/Dec 2001 by Ellen S. Wilson “Don’t expect,” wrote photographer W Eugene Smith, “a point-by-point hand-led tour. This is an experience as an intensely curious visitor (perhaps a new resident) might discover it.” Smith wrote those notes to himself as he began his Pittsburgh project, what he later called […]