
Thomas Demand: House of Card
“Demand found in Lautner’s dusty models a way of problem solving and working through designs even though these were for Lautner’s building proposals that never saw realisation.”
“Demand found in Lautner’s dusty models a way of problem solving and working through designs even though these were for Lautner’s building proposals that never saw realisation.”
“The other reason is the question of memory – in line with the invention of the medium, mass images of the dead emerged in the second half of the 19th century. A fashion wave that is not only reserved for the nobility and clergy, but also for simple people, in order to have a portrait, a memory picture of someone at all”. -Felix Hoffman
“It is this sand-blasted speculation or rather en-spectralization, the ghosting and subsequent miasma of capitalism as it exists in the economy of images that we regard as relative at the very least-namely the aptitude to regard photography if not truth, certainly as plausibly disagreeable in a shared system of acknowledged solutions for knowledge-based communication”
“The “focus” is very eclectic as are my tastes. They are always changing and have been enlarging these past years. The collection has been very contemporary-based from the start and that is still true”. -GCB
“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
“Perhaps here we have stumbled upon a partial, but nonetheless astonishing description of the creative act at the heart of serious photography: nothing less than the measuring and folding of the cloth of time itself.” By Paul Graham This month I read a review in a leading US Art Magazine of a Jeff Wall survey […]