
Répertoire, 1978–1990: Zofia Rydet at Jeu de Paume
“For me, almost every home is the image of a person”
“For me, almost every home is the image of a person”
“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as that it seems to deflect from what we actually are: American”
Images that travel; images for hire. The postmarking of images. The weathering and creasing defamation, which detracts the value of a post-card is insipid as to its method of its perceived “correct” representation or is it?