Blue Poles, 2007. Enamel on metal, 60 x 72 inches Medusa was in various forms of legend alternately beautiful and hideous; a telling difference, in that it suggests either extreme is equally liable to turn a man to stone. The words Pretty/Dirty, the title of Marilyn Minter’s current exhibition at Contemporary Arts Museum […]
The pubes, natural, died white or starchy, mascara-black, are run through by fingers, caressed, teased out and tugged on. By Owen Campbell, ASX, January 2015 To talk about Plush in the typical language of criticism, to say it is warm, close or intimate is understatement tantamount to mistruth. Marilyn Minter’s book is […]
Mom Smoking, 1969 “I was about twenty and in art school at the time—a junior photography student. I went home for the weekend, and I just photographed my mother not really thinking anything was out of the ordinary. Not for a second did I think the pictures were startling.” – Marilyn Minter
Coral Ridge Towers (1969) “I was about twenty and in art school at the time—a junior photography student. I went home for the weekend, and I just photographed my mother not really thinking anything was out of the ordinary. Not for a second did I think the pictures were startling. But when […]
New Work: Marilyn Minter By Joshua Shirkey In 1969 the photographer Diane Arbus visited a class at the University of Florida in Gainesville and, as a guest instructor, led a critique of the students’ artwork. Marilyn Minter, an undergraduate at the time, was not enrolled in the class, but her professor encouraged her to bring […]