British Watchtowers @ 2007 Donovan Wylie and courtesy of Steidl The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar […]
USA. Hampton, Virginia. 1962. © Bruce Davidson/Magnum Photos “Look, I’m kind of an explorer. I’m entering a world and it takes time.” A Magnum photographer, Bruce Davidson has been renowned since the late fifties for his photographs of gangs in Brooklyn, and subsequent projects including New York’s East 100th street, circus performers, civil rights marchers […]
“Mine is an entirely solitary pursuit as most of my time is being spent on the road, on the streets and in hotel rooms in anonymous cities.” Antoine D’Agata. A simple desire to exist. A conversation with Raphael Shammaa,.Translated from French. New York, February 7, 2014 Raphael Shammaa: How do you feel discussing your work […]
“A photograph is nothing but a lie. The space is cut off, the time, manipulated. They are two uncontrollably false appearances of an image condemned to choose between hypocrisy and good conscience and being fake.” – Antoine d’Agata “What we see is not made up of what we are seeing but rather from […]
From ‘Son’ by Christopher Anderson “I’ve spent the last fifteen years with the title of ‘War photographer’, going to the other ends of the earth, to photographs stories of other people, looking for photographic intimacy from people that I didn’t know.” Why show it ? Interview with Christopher Anderson By Baptiste Lignel, December […]
“For me, everything is sacred, whether I’m photographing a human being or a statue or the good earth. It’s sacred, I absorb it. I want to absorb it.” Interview with Bruce Davidson, The Kojo Nnamdi Show (WAMU/Chicago), November, 2006 Q: You’re on the streets of Chicago, wandering into Pentecostal churches, how did that initial […]
Photography is a generous, abundant medium and Parke is a voracious photographer. By Geoff Dyer I was introduced to the work of Trent Parke (born in Australia in 1971, a member of Magnum since 2007) by a mutual friend, the photographer, Matt Stuart. He showed me two books by Parke, both self-published. The first […]
“But since I work in a spontaneous way, I have to be a little bit sneaky because I don’t want them to know that I’m going to take a picture of them.” Interview with Bruce Gilden, PBS, The Arts Show EGG: How do you describe yourself as a photographer? Bruce Gilden: I guess I’d be […]
We asked Harry Gruyaert what role colour plays in his photography.
“I do think these words “documentary” and “photojournalism” refer to different approaches but are rarely thoughtfully used to distinguish the work that is self-generated vs. assigned.” Extending the frame: An Interview with Susan Meiselas By Joanna Heatwole, Mariola Mourelo, Afterimage, March-April, 2006 Susan Meiselas has represented difficult issues with innovative approaches throughout her thirty-year career […]
“There is a dawning awareness that you feel good in this place. Something here makes you attentive, brings you to an awakened state. But you can’t know that beforehand.” Interview by Constance Sullivan, from Creating A Sense of Place, Smithsonian Institution Press, 1990 CS: Why do you choose to photograph a particular place? Why the Cape? […]
from Gypsies, 1975 @ Josef Koudelka and Magnum Photos “I am not interested in talking about things, explaining about the whys and the hows. I do not mind showing my images, but not so much my contact sheets. I mainly work from small test prints. I often look at them, sometimes for a long time. […]