Edward Hopper (July 22, 1882 – May 15, 1967) was a prominent American realist painter and printmaker. While he was most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes, his spare and often melancholy renderings reflected his personal […]
from The New West @ Robert Adams This pitiless light, virtually combusting in the thin Colorado air, was, I thought, an invention born in the certain glare of the place… By Tod Papageorge In April 2000, The Yale University Art Gallery purchased the 193 prints that compose Robert Adams’s What We Bought: The New World, […]
Vista Del Mar, 1995 By Doug Rickard Palm trees, baking sunshine and the beckoning call of Vista Del Mar (1995). The Hollywood glitz is gone, the water has dried up and the baking cracks of a barren road call out to the viewer that hope and dreams are just a mirage. The blazing sun is […]
“For me the word ‘photographer’ talks about the means of delivering certain kinds of information, feelings and such. If you’re consistently focused on the means of delivery, it means you’re not getting the message across very clearly.” – John Gossage Interview by Monte Packham Lewis Baltz and John Gossage depict man’s contentious impact on […]
By Jean-Pierre Greff and Elisabeth Milon The photographer Lewis Baltz, originally from California, has spent the past thirty years, mainly in urban and suburban surroundings, bringing out what would otherwise remain below the surface, marginalised, rejected or that indeed that would exist solely as a transition between two states, between two moments or places. In […]
“Construction Detail, East Wall, Xerox, 1821 Dyer Road, Santa Ana,” 1974 from “The new Industrial Parks near Irvine, California.” Gelatin silver print. (Lewis Baltz/Courtesy Galerie Thomas Zander, Cologne) When Baltz’s series “The Tract Houses” was exhibited at the International Museum of Photography in 1972, photographs by Bernd and Hilla Becher purposely appeared in an […]
“Lewis Baltz: In the Desert” features 29 photographs from the internationally renowned photographer’s series “Nevada” and “Near Reno.” An icon of contemporary photography, Baltz took the black-and-white images of construction sites and abandoned areas in the northern Nevada desert region between 1977 and 1986. Many of the images in “Lewis Baltz: In the Desert” are […]
As I have considered it over the years, the work has always seemed a sustaining and challenging mix of beauty, hope, despair, anger and love. By Peter Brown, Originally published in SPOT, Spring 1996 “Over the years I have come to believe… that we live in several landscapes at once, among them the landscape […]
By Doug Rickard, ASX, April 2010 As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of […]
Contacts Vol. 2: The Renewal of Contemporary Photography The main idea of the project is to show the viewer not just photos of the author, but also to listen to him, talking about his creative path, on global matters, giving inspiration to the author, about the experiences and emotional lines of his work, some of […]
SF Panorama, 1990 Another Look At The West – View Finder: Mark Klett, Photography, and the Reinvention of Landscape By Stephen Longmire, Afterimage, July 2001 We now view landscape photographs, both past and present, much like the shadows on the walls of Plato’s cave. They are artifacts of what we think we know about the land, […]
“I don’t think we need that at all, any more; we already know, to the point of ennui, what the world looks like in photographs.” Interview with Lewis Baltz: Jean-Pierre Greff and Elisabeth Milon The photographer Lewis Baltz, originally from California, has spent the past thirty years, mainly in urban and suburban surroundings, bringing […]