“The vernacular leads to familiarity and that, in turn, leads back to us, the viewer, as we complete the photograph with our reception. Private and public memories stumble down the rabbit hole together.”
“In Vancouver, there is no image of nature that is not at the same time an image of private property.”
“I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues.”
“I was aware I was taking art. That’s the conceit of young people. I knew that what I am doing is not only unique, but that someday I’m going to unpack that and shock people with it.” Fred Herzog In His Own Words, from interviews with John Mackie of the Vancouver Sun in June, […]
For Ghirri, the world was a labyrinth and making pictures was a means of “tell[ing] the real identity of man, of things, of life, from the image of man, of things of life.” By Vladimir Gintoff, ASX NYC, March 2013 In 1935 Eastman Kodak introduced Kodachrome. A film stock praised for its idiosyncratic, hyper-saturated, […]