Henri-Cartier Bresson: “Arrogant Purpose” (1947)

Not all of Cartier-Bresson’s photographs are of equal merit. Certain of them are tinged with that artiness which, whether plastic or anecdotal, has so far haunted almost all ambitious photography in the twentieth century. By Clement Greenberg and John O’Brian (Feb 15, 1988) Excerpt from Review of the Whitney Annual and Exhibitions of Picasso and Henri Cartier-Bresson, The Nation, […]

ASX.TV: Henri Cartier-Bresson – “Just Plain Love” (2001)

Henri Cartier-Bresson “L’amour tout court” (“Just Plain Love” 2001) Henri Cartier-Bresson (1908-2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the “street photography” style that has influenced generations of photographers that followed. Trained as a […]

Henri Cartier Bresson: Decisive Photographs” (1953)

Gestapo Informer, Dessau, Germany, 1945 For some twenty years now Cartier-Bresson has been doing just that. He carries a camera with him constantly. Every picture which he has taken is a very personal record of something which is already taking place. He has no studio, does not employ models, does not even direct those he […]

Guy Tillim: ‘Departure’ (2003)

  Essay excerpt from Departure: Enough seen. The vision was encountered under all skies. Enough had. Noises of cities, in the evening, and in the sun- shine, and always. Enough known. The pauses of life – O Sounds and Visions! Departure into new affection and new noise! Arthur Rimbaud – Les Illuminations. My journeys have […]

Henri Cartier-Bresson’s Last Decisive Moment (2004)

Madrid, 1933 Cartier-Bresson generated the type of admiration he both enjoyed and ran away from.   By Bruno Chalifour, Afterimage, Sept-Oct, 2004 A lot has been written, and more will be, about the life in photography of Henri Cartier-Bresson. If Europe contributed to the medium in the twentieth century, Cartier-Bresson, a.k.a. HCB, probably stood among the […]

Words by Henri Cartier-Bresson (1973)

“There is a rhyme between different elements. There is a square here, rectangle and other rectangle…see its all these problems which I’m preoccupied with. The greatest joy for me is geometry that means a structure.”   The Decisive Moment – Photographs and Words by Henri Cartier-Bresson (1973) Henri Cartier-Bresson “I’ve been taking pictures when I […]