Evans shows the south as part of the rest of America, falling behind itself and failing in the everyday struggle against entropy. By Owen Campbell, ASX, April 2015 There is in McNair Evans Confessions for a Son a sense that time passes slow and lonely, a stillness manifest in an image of a hound weighted […]
A trailer for “The Study on Post Pubescent Manhood” by Stacy Kranitz. I met Jerimy at a dystopian compound in Ohio and invited myself to his home in Tennessee. Over the course of several years we have built a relationship that forms the narrative of this feature length film. It reveals myself as a filmmaker […]
First published in 1968, Danny Lyon’s The Bikeriders explores firsthand the stories and characters of the Chicago Outlaws Motorcycle Club. Authentic, personal, and uncompromising, Lyon’s depiction of individuals on the outskirts of society offers a gritty yet humanistic view that subverts the commercialized image of Americana. EXPLORE ALL DANNY LYON ON ASX (All rights […]
David Moore: Colour Photographs 1987-88 Pictures From The Real World Essay by David Chandler If the chemically charged 1960s brought new constellations of colour to the drab austerity of post‐war Britain, then British documentary photography remained that period’s more sober shadow: resolutely black and white and firmly rooted in a past, it was the serious, […]
I saw it I suppose very shortly after it was published, when I was still working as a photographer myself, and it was, frankly, shocking. I sensed the power in it, and the authority about it but there was much about it that I didn’t like… The Americans was received with mixed critical reaction. Not […]
“To make ‘documentary’ work (or to work in that genre at all) often stems from the desire (although it may not be fully conscious) to present a specific vision of the world as objective fact.” ASX asks artists a single question, Cameron Van Loos begins with Gregory Halpern, April 2013 Cameron Van Loos: […]
“So I asked my brother to get me a camera. I’d seen one in a camera shop, a Leica for $25. I said, ‘You get it for me; and if I can’t get anything in a magazine off the first roll,’ – I was pretty cocky – ‘then I’ll give it back to you.’” […]